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A descriptive, illustrated bibliography of the work of noted film critic
Robin Wood
Compiled by D. K. Holm and others [to be named as they contribute]
10/2005
 ontents of Wood Influenced Magazines.
Movie
Issue No. 1
June, 1962 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: None stated [Note: The issue's contents page gives wrong page numbers]
" Editorial, " editorial team, inside front cover.
 " The British Cinema, " V. F. Perkins, pages 2 - 7.
" British and American directors chart, " editorial team, pages 8 - 9.
" The Damned, " unsigned, pages 10 - 11.
" Big Secrets, Little Secrets, " Claude Chabrol, pages 12 - 13.
" The Devil and the Nun: Luis Bunuel and Viridiana, " Andrew Sarris, pages 14 - 16.
" Minnelli's Method, " Mark Shivas, pages 17 - 19.
" Method: Vincente Minnelli [about The Four Horsemen], " unsigned, pages 20 - 24.
" Barabbas: A Discussion, " Ian Cameron, V. F. Perkins, Mark Shivas, Gavin Millar, pages 25 - 27.
" Les Liaisons Dangereuses, " Gavin Millar, pages 28 - 29.
" King of Kings, " V. F. Perkins, pages 29 -30.
" The Devil Never Sleeps, " Paul Mayersberg, pages 31 - 32.
Issue No. 2
September, 1962 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Otto Preminger [Note: The issue's contents page gives wrong page numbers]
 " Films, Directors, and Critics, " Ian Cameron, pages 4 - 7.
" Franju, " unsigned, pages 8 - 9.
" Letter From New York, " Andrew Sarris, page 10.
" Why Preminger?, " unsigned, page 11.
" Laura, " Eugene Archer, pages 12 - 13.
" From Laura to Angel Face, " Paul Mayersberg, pages 14 - 16.
" The Moon is Blue, " Ian Cameron, page 17.
" River of No Return, " V. F. Perkins, pages 18 - 19.
" One Man Mutiny, " Eric Rohmer, page 20.
" Man With the Golden Arm, " V. F. Perkins, page 20.
" Saint Joan, " Paul Mayersberg, page 21.
" Bonjour Tristesse, " Ian Cameron, page 22.
" Anatomy of a Murder, " Mark Shivas, pages 23 - 24.
" Exodus, " Robin Wood, pages 24 - 25.
" Preminger on Advise and Consent, " Mark Shivas, pages 26 - 27.
" Advise and Consent, " Mark Shivas , pages 28 - 30.
" Chronique, " Mark Shivas, page 31.
" Merrill's Marauders, " V. F. Perkins, page 32.
" Accattone, " Ian Cameron, page 33.
" Paris nous appariernt, " Paul Mayersberg, page 34.
" Letter to the Editor, " Patrick Waddington, page 33 [on Sarris's essay on Viridiana].
Issue No. 3
October, 1962 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: None stated
 " Hitchcock and the Mechanics of Suspense, " Ian Cameron, pages 4 - 7.
" Underworld USA, " unsigned, pages 8 - 9.
" The Testament of Vincente Minnelli, " Paul Mayersburg, pages 10 - 13.
" 'I am writing from a far country,' [Introduction to Cuba Si], " Ian Cameron, page 14.
" Cuba Si, " Chris Marker, pages 15 - 21.
" Clive Donner and Some People, " V. F. Perkins, pages 22 - 25.
" The Miracle Worker and The Left Handed Gun, " Paul Mayersberg, pages 26 - 28.
" Hercules Conquers Atlantis, " Charles Barr, pages 29.
" Venice, " Mark Shivas, pages 30 - 31.
" Cleo de cinq a sept, " Mark Shivas, page 32.
" Interview with Agnes Varda, " Mark Shivas, pages 33 - 35.
Issue No. 4
November, 1962 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: None stated [Note: The issue's contents page gives wrong page numbers]
 " Fritz Lang Talks Dr. Mabuse, " unsigned, pages 4 - 5.
" The Thousand Eyes of Dr. Mabuse, " Mark Shivas, page 6.
" [Introducing] Michel Deville, " unsigned, pages 7 - 9.
" Two Views of Jean Renoir's Le Caporal Epingle, quot; One, Mark Shivas; Two, Ian Cameron, pages 10 - 13.
" Attitudes in Advise and Consent, " Robin Wood, pages 14 - 17.
" Interview with Otto Preminger, " unsigned, pages 18 - 20.
" Carmen Jones and Porgy and Bess, " Paul Mayersberg, pages 21 - 23.
" Preminger Filmography, " unsigned, pages 24 - 25.
" The Liimits of Suspense [The Grip of Fear], " Ian Cameron, pages 26 - 27.
" A Method of Making Films: Andrew Stone, " unsigned, pages 28 - 29.
" The Password is Cleaning Cloths, " Mark Shivas, page 30.
" [An Important Re-release: George Stevens's] Giant, " V. F. Perkins, pages 31 - 33.
" Le Rendez-Vous de Minnuit, " Paul Mayersberg, page 34.
" The Chapman Report,, Kid Galahad,,The Notorious Landlady,,The Premature Burial,,Sodom and Gomorrah,,Zazie dans le metro,," unsigned, page 35.
Issue No. 5
Undated, but probably late 1962 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Howard Hawks
 " Un-American Activities, " V. F. Perkins, pages 3 - 6.
" Howard Hawks, " unsigned but probably Peter Bogdanovich, page 7.
" Interview with Howard Hawks, " Peter Bogdanovich, pages 8 - 18.
" Rivette on Hawks, " Jacques Rivette, pages 19 - 20.
" [Hawks] Comedies, " V. F. Perkins, pages 21 - 22.
" [Gentlemen Prefer Blondes], " Mark Shivis, pages 23 - 24.
" Rio Bravo, " Robin Wood, pages 25 - 27.
" Hatari!, " V. F. Perkins, pages 28 - 30.
" Hawks Filmography, " unsigned but probably by Peter Bogdanovich, pages 31 - 34.
" John Frankenheimer [The Manchurian Candidate], " Paul Mayersberg, page 35.
" Shin Heike Monogatari, " Ian Cameron, pages 36 - 37.
" The Chapman Report, " Gavin Millar, pages 38 - 39.
" Gypsy,, America Through a Keyhole,,Vanina vanini,," unsigned, page 35.
Issue No. 6
January, 1963 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: none stted
 " [Interview with Alfred] Hitchcock, " Ian Cameron, V. F. Perkins, pages 4 - 7.
" Hitchcock 2: Suspense and Meaning, " Ian Cameron, pages 8 - 12.
" Tours Festival, " Jean Douchet, pages 13 - 14.
" Ten Bests, " Cameron, Perkins, Sarris, and others, page 14.
" Small Talk, " unsigned, page 15.
" Censorship, " V. F. Perkins, page 16.
" Censorship: Trevelyan, Aldrich, Losey interviews, censored Godard script excerpt, Cut Sequence from Vivre sa vie " unsigned, page18 - 21.
" Vivre sa vie, " Jean-Andre Fieschi, pages 22 - 25.
" Gypsy, " Ian Cameron, pages 26 -27.
" How the West Was Won, " Mark Shivas, pages 28 - 29.
" Le Beau Serge, " Barry Boys, pages 30 - 31.
" Through a Glass Darkly, " Goran Persson, pages 30 - 31.
" Vanina Vanini, " Paul Mayersberg, pages 32 - 34.
" Billy Rose's Jumbo, " Mark Shivas, page 35.
" It's Only Money,, Private Potter,,Rope,, Escape From East Berlin," unsigned, page 35.
Issue No. 7
Undated, but probably spring, 1963 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: unstated
 " Lawrence Alloway on the Iconography of the Movies, " Lawrence Alloway, pages 4 - 6.
" In Paris: Landru, The Trial, " Mark Shivas, pages 7 - 10.
" Rope, V. F. Perkins, pages 11 - 13.
" [Interview with Frank] Tashlin!, " Peter Bogdanovich, pages 14 - 15.
"Frank Tashlin and the New World, " Ian Cameron, pages 16 - 21.
" Tashlin Filmography, " unsigned, pages 22 - 23.
" Critic's Choice, " Mark Shivas, pages 24 - 25.
" [Pictures of] Une femme est une femme, " Mark Shivas, pages 26 - 27.
" Interview with Robert Bresson, " Ian Cameron, pages 28 - 29.
" The Trial of Joan of Arc, " Paul Mayersberg, pages 30 - 32.
" This Sporting Life, " Gavin Millar, page 33.
" Recommendations: Cape Fear, The Barber of Stamford Hill, Sparrows Can't Sing, Warrior's Rest, L'eclisse, Odissea Nuda, The Courtship of Eddie's Father, " unsigned, page 336.
Issue No. 8
Undated but probably late 1963 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: None stated
 " Robert Aldrich, " Pauk Mayersberg, pages 4 - 5.
" Whatever Happened to Baby Jane?, " Andrew Sarris, pages 6 - 7.
" Interview with Robert Aldrich, unsigned, pages 8 - 10.
" Aldrich Filmography, " unsigned, page 11.
" Cinema Verite: New Methods; New Approach; Richard Leacock Interview; Albert and David Maysles Interview; William Klein Interview; Jean Rouch Interview; Jacques Rozier Interview;, " Mark Shivas, Ian Cameron, pages 12 - 27.
" Movie Differences: A Discussion, " Ian Cameron, V. F. Perkins, Mark Shivas, Paul Mayersberg, pages 28 - 34.
Issue No. 9
Undated but presumably spring 1963 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Nicholas Ray
 " Films, The Cinema of Nicholas Ray, " V. F. Perkins, pages 4 - 10.
" Nicholas Ray Filmography, " David Thomson, Kieran Hickey, pages 11 - 13.
" Interview with Nicholas Ray, " Adriano Apra, Barry Boys, Ian Cameron, Jose Luis Guarner, Paul Mayersberg, V. F. Perkins, pages 14 - 25.
" Luis Bunuel's El Angel Exterminador, " unsigned, pages 26 - 27.
" Letter from Hollywood, " Peter Bogdanovich, page 28.
" [Alexander Mackendrick's] Sammy Going South, " Ian Cameron, pages 29 - 30.
" Contamination [Joseph Losey's The Damned], " Paul Mayersberg, pages 30 - 34.
" Recommendations: Woman of Summer, Tales of Terror, Red River, Two for the Seesaw, Hud, Il lavoro, To Kill a Mockingbird, " Eric Rohmer, page 20.
Issue No. 10
June, 1963 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Claude Chabrol, Vincente Minnelli
 " The Darwinian World of Claude Chabrol, " Ian Cameron, pages 4 - 9.
" Wait and See: Chabrol Films Not Yet Shown in Britain, " Jean-Andre Fieschi, pages 14 - 15.
" Coming Soon: Ophelia, " Mark Shivas, pages 12 - 13.
" Interview with Claude Chabrol, " Jean-Andre Fieschi, Mark Shivas, pages 16 - 20.
" Against This Sporting Life, " unsigned, pages 21 - 22.
" Vincente Minnelli Interviewed in Argentina, " Ernesto Serebrinsky, Oscar Garaycochea, pages 23 - 28.
" The Courtship of Eddie's Father, " Barry Boys, pages 29 - 32.
" Minnelli Filmography, " unsigned, pages 33 - 35.
" Recommendations: Experiment in Evil, My Six Loves,Donovan's Reef,Marilyn,All This and Money Too,Guns of Wyoming,The Long Day's Journey Into Night, " unsigned, page 21.
Issue No. 11
Spring, 1965 (slick color cover, center stapled, with book bond slick interior pages)
Theme: none stated.
"55 Days at Peking," V. F. Perkins, pages 4 - 6.
"Interview with King Vidor," V. F. Perkins, Mark Shivas, pages 7 - 11.
"Letters" [about Whatever Happened to Baby Jane, This Sporting Life, with reply by Ian Cameron], pages 11 - 12.
"Small Talk," [CineRama, The Longest Day, A Cold Wind in August, MInelli, Andrew Stone, Varda, Frank Perry], unsigned, pages 12 - 13.
"Days of Wine and Roses," Paul Mayersberg, pages 14 - 17.
"Godard Le Petit Soldat [Los Cien Caballeros]," Barry Boys, pages 18 - 20.
"Report from the Cannes Film Festiva" [The Leopard, The Birds, Carambolages, Le Rat D'amerique, Optimistitcheskaia Traguedia, The Diabolical Queen, Lord of the Flies, Otto e Mezzo, I Fidanzati, Pour la suite du monde, How to be Loved, Codin, El oltro cristobal, Harikiri, La Jetee, Joli Mai, Seul ou avec d'autres, Barnvagnen, Hallelujah the Hills!, La baie des anges, David and Lisa, Les Vacances Portugaises, Octobre a Paris, ], Mark Shivas, pages 21 - 27.
"Panic in the Year Zero," Paul Mayersberg, pages 28 - 29.
"Angel Baby," unsigned, pages 30 - 31.
" Freaks," Paul Mayersberg, page 32.
"Towers Open Fire," Ian Cameron, page 33.
"Recommendations," [Ninotchka, Station Six — Sahara, The Nutty Professor], unsigned, page 34.
"Other Films," [unsigned list of unreviewed movies], pages 35 - 36.
Issue No. 12
Spring, 1965 (slick cover, center stapled, with book bond interior pages)
Theme: Richard Brooks.
"Richard Brooks Interview," Ian Cameron, Mark Shivas, Paul mayersberg, V. F. Perkins, pages 2 - 9.
"Conservative Idealist," Paul Mayersberg, pages 10 - 12.
"Two Christian Films," Raymond Durgnat, pages 13 - 14.
"Foreword to Lord Jim," Richard Brooks, pages 15 - 16.
"Filmography," Richard Brooks, Tom Vallance, pages 16 - 17.
"The Hundred Horsemen [Los Cien Caballeros]," Jose Luis Guarner, pages 18 - 19.
"The Universal Hitchcock [Two Hitchcock Films, The Birds, Marnie]," Ian Cameron and Richard Jeffery, pages 21 - 24.
"King and Country," Charles Barr, pages 25 - 27.
"Tours 64," Raymond Durgnat, pages 28 - 30.
" Jean-Luc Godard Interviews Michelangelo Antonioni," Jean-Luc Godard, Jean-Louis Comoli, Francois Weyergans, Ian Cameron, pages 31 - 34.
"Man's Favorite Sport," Paul Mayersberg, page 35.
"Cheyenne Autumn," V. F. Perkins, pages 36 - 37.
"Sunday in New York," Mark Shivas, page 37.
"The Silence," Robin Wood, page 38.
"Hollywood," Peter Bogdanovich, pages 39 - 40.
"Madrid," Jose Luis Guarner, pages 40 - 41.
"New York," Andrew Sarris, page 41.
"Paris," Jean Douchet, page 42.
"Rome," Adriano Apra, pages 42 - 43.
"Stockholm," Stig Bjorkman, pages 43 - 44.
"London," Stig Bjorkman, pages 44 - 45.
"Small Talk and Short Reviews," [ My Fair Lady , Therese Desqueyroux , Raven's End , Fail Safe , Goodbye Charlie , A Shot in the Dark , Tous Les Garcons S'apellent Patrick , Rio Conchos , page 44.
Issue No. 13
Summer, 1965 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Josef von Sternberg
 " Une femme mariee, " Philip French, pages 2 - 5.
" Now About These Women, " Ian Cameron, pages 6 - 9.
" Deserto Rosso, " Robin Wood, pages 10 - 13.
" Otto [Preminger on In Harm's Way], " Ian Cameron, pages 14 - 16.
" Josef von Sternberg [Filmography], " Peter Bogdanovich, pages 17 - 23.
" Encounters with Josef von Sternberg, " Peter Bogdanovich, pages 24 - 25.
" Six Films of Josef von Sternberg, " Raymond Durgnat [as O. O. Green], pages 26 - 13.
" Tokyo Story, " Robin Wood, pages 32 - 33.
" Therese, " James Leahy, pages 34 - 35.
" The Killers, " Mark Shivas, pages 35 - 36.
" Cleopatra, " Paul Mayersberg, pages 36 - 37.
" Le Crime de M. Lange, " Charles Barr, pages 37 - 38.
" Lord Jim, " Paul Mayersberg, pages 38 - 39.
" The Patsy, " Richard H. Bedford, page 39.
" Small Talk: Hollywood, " Peter Bogdanovich, page 40.
" Small Talk: Madrid, " Jose Luis Guarner, pages 40 - 41.
" Small Talk: New York, " Andrew Sarris, page 41.
" Small Talk: Rome, " Adriano Apra, pages 42 - 43.
" Small Talk: Stockholm, " Stig Bjorkman, page 43.
" Small Talk: London, " unsigned, pages 43 - 44.
" Other Films [The Greatest Story Ever Told, Mata Hari,Dear Heart,The Rounders,Three Godfathers,The Ipcress File,The Americanization of Emily,That Man From Rio,Von Ryan's Express,The Knack,Baby, The Rain Must Fall, Major Dundee,], " unsigned, pages 44 - 45.
Issue No. 14
Autumn, 1965 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: British Cinema
 " British Lion, " Mark Shivas, pages 1 - 4.
" Richard Lester, " Philip French, pages 5 - 11.
" Clive Donner [Interview], " Ian Cameron and Mark Shivas, pages 12 - 16.
" Michael Powell, " Raymond Durgnat [as O. O. Green, pages 17 - 20.
" William Klein and Dr. Zhivago, " William Klein, pages 21 - 23.
" Le Bonheur, " Sallyann Blair, pages 24 - 25.
" Repulsion, " Charles Barr; Peter van Bagh, pages 26 - 28.
" Major Dundee, " James Leahy, pages 29 - 32.
" La Baie des Anges, " Robin Wood, pages 33 - 35.
" Judex, " Ian Cameron, pages 36 - 38.
" Small Talk: Cannes, " Mark Shivas; Ian Cameron, pages 39 - 41.
" Small Talk: Hollywood, " Peter Bogdanovich, pages 41 - 42.
" Small Talk: Madrid, " Jose Luis Guarner, pages 42 - 43.
" Small Talk: New York, " Andrew Sarris, pages 43 - 44.
" Small Talk: London, " Ian Cameron, page 44.
" Other Films [Shenandoah, The Disorderly Orderly,The Hallelujah Trail,The Great Race,The Spy With My Face,Catch Us If You Can,Diary of a Chambermaid,Darling,The Amorous Adventures of Moll Flanders,How to Murder Your Wife,Cat Ballou, The Sandpiper,], " unsigned, pages 44 - 43.
Issue No. 15
Spring, 1968 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: none stated
 " Working Within the System: Interview with Don Siedel, " Peter Bogdanovich, pages 1 - 14.
" Donald Siegel Filmography, " unsigned, pages 15 - 17.
" Forced to be Free, or, Doing Business in a Great Art, " V. F. Perkins, pages 17 - 19.
" I Love You Love, " Stig Bjorkman, pages 20 - 21.
" From Persona, " Robin Wood, pages 22 - 24.
" Huston's Reflections, " Paul Mayersberg, pages 25 - 26.
" Bunuel: Belle de Jour 1: Love in the Afternoon, " Raymond Durgnat, pages 27 - 29.
" Bunuel: Belle de Jour 1: At Night, All Cats are Grey, " Robin Wood, pages 30 - 31.
" Targets, " unsigned, pages 32 - 33.
" Far From Vietnam, " Richard Winkler, pages 34 - 36.
" Small Talk: Hollywood, " Peter Bogdanovich, pages 36 - 37.
" Small Talk: Barcelona, " Jose Luis Guarner, pages 37 - 38.
" Small Talk: Rome, " Adriano Apra, pages 38 - 39.
" Small Talk: London: Charlie Bubbles, Romeo and Juliet Sebastian" Mark Shivas, page 40.
Issue No. 16
Winter, 1968-1969 (slick cover with book bond interior pages)
Theme: Richard Lester, Ingmar Bergman.
"Interview with Ingmar Bergman," Stig Björkman, Torsten Manns, and Jonas Sima, pages 2 - 8.
"Hour of the Wolf," Robin Wood, pages 9 - 12.
"Supporting the British Cinema[Legislation and the British Cinema]," V. F. Perkins, pages 13 - 15.
"Interview with Richard Lester [with filmography]," Ian Cameron and Mark Shivas, pages 16 - 28.
"Godard and Weekend," Robin Wood, pages 29 - 33.
"The Detective," John Milton Smith, pages 33 - 34.
"The Bride Wore Black," Peter von Bagh, pages 34 - 36.
"[Letter From] Hollywood," Peter Bogdanovich, pages 36 - 37.
"[Letter from] Helsinki," Peter von Bagh, pages 37 - 38.
"Tashlin's Cartoons," Peter Bogdanovich, pages 38 - 39.
"Short Reviews [One Plus One, Bullitt, The Fireman's Ball, The Lion in Winter, Rachel, Rachel, Charly, Boom, Secret Cereony, Star!, The Thomas Crown Affair, Finian's Rainbow, If …, Rosemary's Baby,]," Ian Cameron and Mark Shivas, pages 39.
"Goldfinger's Odeon," Dennis Sharp, page 41.
Issue No. 17
Winter, 1969 - '70 (slick cover, center stapled, with book bond interior pages)
Theme: Oshima.
"In Memoriam: Michael Reeves," Robin Wood, pages 2 - 6.
"Nagisa Oshima Introduction," Ian Cameron, pages 7 - 8.
"Nagisa Oshima Interview," Ian Cameron, pages 8 - 14.
"Nagisa Oshima Filmography," Ian Cameron, pages 15 - x.
"Chabrol and Truffaut," Robin Wood, pages 16 - 24.
"Samuel Fuller: Two Interviews [Paris 1965; California, 1969]," Stig Bjorkman; Mark Shivas, pages 25 - x.
"Ingmar Bergman's Shame," Michael Walker, pages 32 - 34.
"The Party," Charles Barr, pages 34 - 35.
"Festival Films [Adalen '31, Benito Cereno, The Bookseller Who Gave Up Bathing, Breve Storia di un Piccolo Racconto, Cardillac, Dillinger e morto, Duet for Cannibals, Fellini Satyricon, La Fiancee du pirate, Hunting Scenes from Bavaria, Like Night and Day, Ma nuit chez Maud, Porcile, Prologue, Le Samourai, Un soir, un train, Sotto il segno dello scorpione, Sweet Hunters, The White Game, Z,]," Ian Cameron, pages 36 - 37.
"Letter From Hollywood," Peter Bogdanovich, page 38.
"New Films [Alice's Restaurant, Michael Walker, The Arrangement, Bob and Carol and Ted and Alice, Butch Cassidy and the Sundance Kid, Che!, Easy Rider, Goodbye Mr. Chips, The Good Guys and the Bad Guys, John and Mary, Justine, Midnight Cowboy, The Model Shop, The Secret of Santa Vittoria, The Sterile Cuckoo, Tell Them Willie Boy is Here, Topaz, True Grit, Sweet Hunters, The White Game, Z, La voie lactee, The Wild Bunch, Winning, Women in Love,]," otherwise unsigned, but presumably Ian Cameron, pages 38 - 40.
Issue No. 18
Winter, 1970 - '71 (slick cover, center stapled, with book bond interior pages)
Theme: Arthur Penn.
"Claude Chabrol Interview," Michel Ciment, Gerard Legrand, Jean-Paul Torok, pages 2 - 9.
"The Old Age of Alfred Hitchcock [Topaz]," Michael Walker, pages 10 - 13.
"Elia Kazan's The Arrangement," John M. Smith, pages 14 - 17.
"Eric Rohmer's Ma Nuit chez Maud," Jim Hillier, pages 18 - 20.
"Zabriski Point," Robin Wood, pages 21 - 23.
"[Jacques Demy's] Model Shop," Jim Hillier, pages 24 - 25.
"Arthur Penn in Canada," Robin Wood, pages 26 - 36.
"New York Festival [La Musica, Praise Marx and Pass the Ammunition, Je t'aime, je t'aime, The Garden of Delights, The Cannibals, The Scavengers, Even Dwarfs Started Small, Tristana, The Spider's Stratagem, The Conformist, Days and Night in the Forest]," Robin Wood, pages 37.
"Festival Films: Cannes, Venice, London[Le Boucher, Canadian Movies [A Married Couple, La Chambre Blanche, Q-Bec My Love, Mon Amie Pirette, Wow!, Ou etes-vous done …, Entre tu et vous, La Regne du jour, ], Deep End, L'enfant sauvage, La faute de l'abbe Mouret, Der Leone have Sept Cabecas, Leo the Last, The Night of Counting the Years, Petit a petit, Socrate, La Strategia del ragno, Tell Me That You Love Me, Junie Moon, Tristana, Uomini Contro, Urtain, Vent d'est, Wanda]," Robin Wood, pages 37.
Issue No. 19
Winter, 1971-1972 (slick cover with book bond interior pages)
Theme: Elia Kazan.
Elia Kazan interview, Stuart Byron and Martin L. Rubin, pages 1 - 13.
"Out of the 1940s," Jim Hillier, pages 14 - 16.
"Kazan and Williams," Jim Hillier, pages 17 - 18.
"Three Liberal Films," John M. Smith, pages 19 - 21.
"East of Eden," Jim Hillier, pages 22 - 23.
"Wild River," Michael Walker, pages 24 - 28.
"The Kazan Problem," Robin Wood, pages 29 - 31.
"Splendor in the Grass," Michael Walker, pages 32 - 34.
"America, America," V. F. Perkins, pages 35 - 38.
"Plays, Films, Novels," Jim Hillier, pages 38 - 40, a Kazan filmography.
Issue No. 20
Spring, 1975 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: The Return of Movie
 " The Return of Movie, " Ian Cameron, V. F. Perkins, Michael Walker, Jim Hillier, Robin Wood, pages 1 - 26 [a roundtable discussion on changes in cinema and criticism since the last issue of the magazine].
" Approaching Television, " Charles Barr, pages 26 - 28.
" Genre and Movies, " Douglas Pye, pages 29 - 42.
" Claude Chabrol: Into the 'Seventies, " Michael Walker, pages 44 - 64.
Issue No. 21
Autumn, 1975 (Perfect bound with two color cover on slick paper with book stock interior pages)
 " Smart-ass and Cutie-pie: Notes Towards an Evaluation of Altman, " Robin Wood, pages 1 - 17.
American Cinema in the '70s
" Jennifer on my Mind, " Jim Hillier, pages 18 - 21.
" Junior Bonner, " Douglas Pye, pages 22 - 25.
" The Pursuit of Happiness, " Tom Ryan, pages 26 - 29.
" The Towering Inferno, " Richard Dyer, pages 30 - 33.
" Two-Lane Blacktop, " Terence Butler, pages 34 - 37.
" Making do … Or Better? The American TV Film, " John M. Smith, pages 38 - 45.
" The Making of a Television Series: Upstairs, Downstairs, " Charles Barr, Jim Hillier, V.F. Perkins, pages 46 - 63.
Issue No. 22
Spring, 1976 (Perfect bound with two color cover on slick paper with book stock interior pages)
 " Mandingo, " Andrew Britton, pages 1 - 22.
" Richard Fleischer on Mandingo, " Ian Cameron and Douglas Pye, pages 23 - 29.
American Cinema in the '70s
" The Way We Were, " Richard Dyer, pages 30 - 33.
" Night Moves, " Michael Walker, pages 34 - 38.
" Alice Doesn't Live Here Anymore, " Christine Geraghty, pages 39 - 42.
" John Ford and the Critics, " Douglas Pye, pages 43 - 52.
" Feminist Film Criticism, " Janey Place and Julianne Burton, pages 53 - 62.
" Comment: Television and Criticism, " Joe Stefanos, pages 63 - 64.
Issue No. 23
Winter, 1976 - 1977 (Perfect bound with two color cover on slick paper with book stock interior pages)
 " Bertolucci: Before 1900, " Robin Wood, pages 1 - 8.
" Bertolucci: Thinking About Father, " Andrew Britton, pages 9 - 22.
American Cinema in the '70s
" Race with the Devil, " Robin Wood, pages 23 - 26.
" Jaws, " Andrew Britton, pages 27 - 32.
" Dog Day Afternoon, " Robin Wood, pages 33 - 36.
" The Wind and the Lion, " Peter Benson, pages 36 - 38.
" The Sound of Music, " Richard Dyer, pages 39 - 49.
" [Robert] Aldrich Interview, " Pierre Sauvage, pages 50 - 64.
Issue No. 24
Spring, 1977 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: The Musical
 " Entertainment and Utopia, " Richard Dyer, pages 2 - 13.
" Show-Making, " Dennis Giles, pages 14 - 25.
" Interview with Stanley Donen, " Jim Hillier, pages 26 - 35.
" The Backstage Musical, " John Belton, pages 36 - 43.
" Art, Music, Nature, and Walt Disney, " William Paul, pages 44 - 52.
Some Other Musicals
" Love Me Tonight, " Paddy Whannel, pages 53 - 54.
" The Belle of New York, " Martin Sutton, pages 54 - 55.
" Lili, " Martin Sutton, pages 55 - 57.
" Brigadoon, " Martin Sutton, pages 57 - 58.
" My Sister Eileen, " Paddy Whannel, pages 58 - 59.
" Hello, Dolly! , " Michael Walker, pages 60 - 61.
" On A Clear Day You Can See Forever, " Jim Cook, pages 61 - 62.
Issue No. 25
Winter, 1977 - 1978 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Genre and History
 " Genre and History: Fort Apache and The Man Who Shot Liberty Valance, " Douglas Pye, pages 1 - 11.
American Cinema in the '70s
" The Texas Chainsaw Massacre, " Tony Williams, pages 12 - 16.
" The Exorcist, " Andrew Britton, pages 16 - 20.
" Carrie, " David Pirie, pages 20 - 24.
" White Line Fever, " Aaron Lipstadt, pages 25 - 29.
" Lana: Four Films of Lana Turner, " Richard Dyer, pages 30 - 52.
" Notes on Sirk and Melodrama, " Laura Mulvey, pages 53 - 57.
" Writing for Television: Interview with E.A. Whitehead, " V. F. Perkins and Douglas Pye, pages 58 - 64.
Issue No. 26
Winter, 1978 - 1979 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Interpretation
 " Editorial [editor's note], " [unsigned, but presumably Ian Cameron], page 1.
" The Ideology of Screen, " Andrew Britton, pages 2 - 28.
" Scriptwriter and Director: Interview with Walter Hill, " Alain J. Silver and Elizabeth Ward, pages 29 - 42.
" Arthur Penn: The Flight from Identity, " Terence Butler, pages 43 - 64.
Issue No. 27 - 28
Winter-Spring, 1980 - 1981 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: American Cinema in the 1970s
 " Sideshows: Hollywood in Vietnam, " Andrew Britton, pages 2 - 23.
" The Incoherent Text: Narrative in the '70s, " Robin Wood, pages 24 - 42.
" The Economic Background, " Chris Hugo, pages 43 - 49.
" Sisters, " Robin Wood, pages 50 - 54.
" Squirm, " Wayne Drew, pages 55 - 60.
" Papillon, " Richard Dyer, pages 60 - 65.
" The Great Waldo Pepper, " Andrew Britton, pages 66 - 70.
" A Matter of Time, " Richard Lippe, pages 70 - 73.
" The Other Side of Midnight, " Andrew Britton, pages 73 - 77.
" Ulzana's Raid, " Douglas Pye, pages 78 - 84.
" Three Women's Films, " Christine Geraghty, pages 85 - 90.
" Mahogany, " Richard Dyer, pages 91 - 94.
" Grease, " Deborah Thomas, pages 94 - 98.
" Yanks, " Marion Jordan, pages 99 - 104.
" 10, " Andrew Britton, pages 105 - 108.
" Last Chants for a Slow Dance, " Jim Hillier, pages 108 - 116.
" Family Horror, " Tony Williams, pages 117 - 126.
Issue No. 29 - 30
Summer, 1982 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Max Ophuls and Melodrama
 " Melodramas and the American Cinema, " Michael Walker, pages 2 - 38.
" Ophus in Hollywood, " Michael Walker, pages 39 - 60.
" Letter from an Unknown Woman, " V.F. Perkins, pages 61 - 72.
" La Ronde, " Deborah Thomas, pages 73 - 79.
" Le Plaisir, " Douglas Pye, pages 80 - 89.
" Metaphor and Mimesis: Madame De… , " Andrew Britton, pages 90 - 107.
" Lola Montes Discussion, " Andrew Britton, Ian Cameron, V. F. Perkins, Douglas Pye, Michael Walker, pages 108 - 121.
" Melodrama in the 'Seventies, " Richard Lippe, pages 122 - 127.
Issue No. 31-32
Winter, 1986 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Reaganite Entertainment
 " Blissing Out: The Politics of Reaganite, " Andrew Britton, pages 1 - 42.
" The Economics of Independence: Roger Corman and New World Pictures, 1970 - 1980, " Jim Hillier and Aaron Lipstadt, pages 43 - 53.
" BBS: Auspicious Beginnings, Open Endings, " Teresa Grimes, pages 54 66.
" Easy Rider and Hollywood in the 'Seventies, " Chris Hugo, pages 67 71.
" Heaven's Gate Reopened, " Robin Wood, pages 72 - 83.
" US Film Industry: Economic Background Part Two, " Chris Hugo, pages 84 - 87.
" Martin Scorsese: Five Films, " Bryan Bruce, pages 88 - 84.
" New York New York and the Hollywood Musical, " Richard Lippe, pages 95 - 100.
" New York New York: Looking at De Niro, " Lez Cooke, pages 101 - 107.
" Raging Bull: The Homosexual Subtext, " Robin Wood, pages 108 - 114.
" It's Alive, " Bryan Bruce, pages 115 - 117.
" Larry Cohen Interview, " Robin Wood and Richard Lippe, pages 118 - 128.
Issue No. 33
Winter, 1989 (slick cover, perfect bound, with book bond interior pages)
Theme: Mark Shivas and TV.
"Cagney and Lacey," Jim Hillier, pages 1 - 14.
"Interview with Mark Shivas," Charles Barr and Jim Hillier, pages 15 - 30.
"Mark Shivas Film and Television Production Credits," pages 31 - 33.
"Interview with Troy Kennedy Martin," plus filmography, Lez Cooke, pages 34 - 39.
Edge of Darkness," Lez Cooke, pages 40 - 45.
"Bordwell and Hollywood," Douglas Pye, pages 46 - 52.
"n Defence of Fatal Attraction," N. A. Morris, pages 53 - 55.
"Three Films of Brian De Palma," Chris Hugo, pages 56 - 62.
"Letter: Psychoanalysis and Criticism," Peter Benson, pages 63 - 64 [A lengthy letter questioning the use of psychoanalysis in recent essays by Andrew Britton and Robin Wood].
Issue No. 34 - 35
Winter, 1990 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Revaluation
 " Must We Say What We Mean? Film Criticism and Interpretation, " V.F. Perkins, pages 1 - 6.
" Blonde Venus, " Deborah Thomas, pages 7 - 15.
" Secret Beyond the Door, " Michael Walker, pages 16 - 30.
" All I Desire, " Michael Walker, pages 31 - 47.
" All That Heaven Allows: Another Look at Sirkian Irony, " Bruce Babington and Peter Evans, pages 48 - 58.
" Altair IV Revisited: Forbidden Planet, " Peter Boss, pages 59 - 64.
" The Adventures of Rafe Hunnicut: The Bourgeois Family in Home from the Hill, " Ed Gallafent, pages 65 - 81.
" Reflections on Peeping Tom, " N. A. Morris, pages 82 - 97.
" (nostalgia), " Jim Hillier, pages 98 - 102.
" Demon, a.k.a., God told Me To, " Elayne Chaplin, pages 103 - 107.
" Separations: Chantal Akerman's News From Home and Toute une nuit, " Richard Kwietniowski, pages 108 - 118.
" The American Trauma: Paris Texas, " David Russell, pages 119 - 127.
" Lawrence Alloway, " Ian Cameron, page 128.
Issue No. 36
2000 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Interpretation
 [editor's note, unsigned, but presumably Ian Cameron] inside front cover.
" Movies and Point of View: Rio Bravo; Some Dimensions of Point of View; The Opening of The Lusty Men, " Douglas Pye, pages 2 - 34.
" A Cinema of Repression: De Niro and Depardieu, " David Russell, pages 35 - 49.
" The Ghost and the Machine: Fantasies of Masculinity in Some American Films of the 1980s and early 1990s, " Deborah Thomas, pages 50 - 61.
" La Signora Di Tutti, " Michael Walker, pages 62 - 72.
" Ophuls Contra Wagner and Others, " V. F. Perkins, pages 73 - 79.
" Pleasures and Excess: Vincent Price and the Horror Film, " Leon Hunt, pages 80 - 96.
CineACTION!
Issue No. 1
Spring, 1985 (slick cover with newsprint interior pages)
Theme: Neglected Films of the 1980s.
Editorial by the collective, page 1.
"'80s Hollywood: Dominent Tendencies," Robin Wood, pages 2 - 5.
"Rap/Punk/Hollywood: Beat Street and Out of the Blue," Bryan Bruce, pages 6 - 11.
"A Matter of Time," Richard Lippe, pages 12 - 14.
"Unspoken and Unresolved: Tell Me a Riddle," Florence Jacobowitz and Lori Spring, pages 15 - 20.
"Death Watch: In Camera Power," Maureen Judge, pages 21 - 23.
"The Night the Lights Went Out in Georgia," Robin Wood, pages 23 - 24.
Issue No. 2
Fall, 1985 (slick cover with newsprint interior pages)
Theme: Women in Contemporary Hollywood Film, and Neglected Films of the 1980s, part 2.
 "From the Editors," Bryan Bruce and Lori Spring, page 1.
"Girls on Film: Fantasy, Desire, and Desperation," Susan Morrison, pages 2 - 6.
"Madness, Pleasure, and Transgression: Looking for Mr. Goodbar," Bryan Bruce, pages 7 - 13.
"Obsessions in the Melodrama: Amy Jones's Love Letters," Florence Jacobowitz and Richard Lippe, pages 15 - 21.
"Firestarters, or Independence Day," Robin Wood, pages 22 - 27.
"Fathers, Feminism, and Domination: Marxist Theory on Ideology in Popular Film," Scott Forsyth, pages 28 - 37.
"Cat and Dog: Lewis Teague's Stephen King Movies," Robin Wood, pages 39 - 45.
"On Le Jour S…," Anthony Irwin, pages 46 - 48.
Issue No. 3 - 4
Winter, 1986 (slick cover with newsprint interior pages)
Theme: Reading the Text.
 "Editorial," Robin Wood, pages 1-2.
"In Defense of Criticism," Andrew Britton, pages 3 - 5.
"Notes for a Reading of I Walked With a Zombie," Robin Wood, pages 6 - 20.
"Femnist Film Theory and Social Reality," Florence Jacobowitz, pages 21 - 31.
"Cries and Whispers Reconsidered," Varda Burstyn, pages 32 - 45.
"Gender and Destiny: George Cukor's A Star is Born," Richard Lippe, pages 46 - 57.
"The Other Dream: The Year of Living Dangerously," Lori Spring, pages 58 - 71.
"Hitchcock's Spellbound: Text and Counter-Text," Andrew Britton, pages 72 - 83.
"Inventing Paradox: Celine and Julie Go Boating," Janine Marchessault, pages 84 - 90.
"Capital at Play: Form in Popular Film," Scott Forsyth, pages 91 - 97.
"Neglected Films of the '80s Foxes," Bryan Bruce, pages 98 - 102.
"A Brief Critique of Pop Criticism," Bryan Bruce, pages 103 - 104.
Issue No. 5
Spring, 1986 (slick cover with newsprint interior pages)
Theme: Alternative Cinema: Feminist, Third World, Underground, Experimental.
 "From the Editors," Scott Forsyth and Maureen Judge, page 1.
"Sans Soliel," Janine Marchessault, pages 2 - 6.
"The Seven Sins of Bette Gordon's Variety," Kay Armatage, pages 7 - 11.
"Textual Excess in Joyce Wieland's Handtinting," Kass Banning, pages 12 - 14.
"An Interview with Arthur Penn," Robin Wood and Richard Lippe, pages 15 - 26.
"Pissing on the Cinema of Transgression," Bryan Bruce, pages 27 - 31.
"Notes for the Exploration of Hermosillo," Robin Wood, pages 32 - 38.
"Planting Pictures: A Discussion of the films of William D. MacGillivray," Peter Harcourt, pages 39 - 44.
"State Machismo: The Official Versions of the Stateof Male/Female Relations," Joyce Mason, pages 45 - 49.
"Point of View: A Criticism of Defence," Philip Corrigan, and " Born Again, or: Uncle Philip's Great Big Inflatable Ego machine," Andrew Britton, pages 50 - 52.
"Books: Political Criticism, Hollywood, and Oppositional Film," Scott Forsyth, pages 53 - 66, a review of a Jump Cut anthology.
Issue No. 6
Summer - Fall, 1986 (slick black and white cover with newsprint interior pages)
Theme: Martin Scorsese.
 "From the Editors," Anthony Irwin and Susan Morrison, pages 1 - 2.
"An Interview with Martin Scorsesse," Susan Morrison, pages 2 - 11.
"The Narrative of Alienation: Martin Scorsese's Taxi Driver," David Weaver, pages 12 - 16.
"Sirk, Scorsese, and Hysteria: A Double(d) Reading," Susan Morrison, pages 17 - 25.
"Scorsese: After Hours," Bryan Bruce, pages 26 - 31.
"Desire in Scorsese's After Hours," Steve Reinke, pages 32 - 34.
Theme: Issues of Masculinity.
"Masculinity in the Movies: To Live and Die in L.A,," Richard Lippe and Florence Jacobowitz, pages 35 - 44.
"The Woman's Nightmare: Masculinity in Day of the Dead," Robin Wood, pages 45 - 49.
Theme: The Cinema We Need to See.
"Radical Marginalia: Subversive Signs from the Hinterland," Geoff Pevere, pages 50 - 56.
Theme: Wood on Cimino.
"Hero/Anti-Hero: The Dilemma of Year of the Dragon," Robin Wood, pages 57 - 61.
"Books: Final Cut," Robin Wood, pages 62 - 64.
Issue No. 7
Winter, 1986 - 1987 (slick two tone cover with newsprint interior pages)
Theme: Stars.
 "From the Editors," Florence Jacobowitz and Richard Lippe, pages 1 - 3.
"Kim Novak: A Resistance to Definition," Richard Lippe, pages 4 - 21.
"Joan Bennett: Images of Femininity in Conflict," Florence Jacobowitz, pages 22 - 34.
"Cary Grant: Comedy and Male Desire," Andrew Britton, pages 36 - 51.
""The Superstar Story," Gloria Berlin and Bryan Bruce, pages 52 - 63.
Interview
"The Survival of Mise-en-scène: An Interview with Bernard Tavernier ["Bernard" on the contents page]," Florence Jacobowitz, Richard Lippe, and Robin Wood, pages 64 - 73.
Theme: Minnelli Tribute.
"Minnelli's Madame Bovary," Robin Wood, pages 74 - 80.
Theme: Gay Films.
"Gay Visibility: Contemporary Images," Richard Lippe, pages 81 - 88.
Issue No. 8
Spring, 1987 (Slick two tone cover with thin book stock interior pages)
Theme: Revaluation.
 "Editorial," Robin Wood, pages 1 - 2.
" Leavis, Marxism, and Film Culture, " Robin Wood, pages 3 - 13.
" Pasolini's Medea : The Power of Disruption," Anthony Irwin, pages 14 - 19.
" One From the Heart: Leaning From Las Vegas, " Susan Morrison, pages 20 - 24.
" Biology and Ideology: The 'Natural' Family in Paris, Texas," Mas'ud Zavarzadeh, pages 25 - 30.
" Power and the Masquerade: The Devil Is A Woman, " Florence Jacobowitz, pages 32 - 41.
" Blonde Venus: Memory, Legend, and Desire," Peter Baxter, pages 42 - 50.
" Aching to Speak: Power and Language in Pierre Perrault's La Bête Lumineuse, " Geoff Pevere, pages 51 - 57.
" Drums Along the Mohawk," Robin Wood, pages 58 - 64.
" Sirk and Bach: Fugal Construction in Written on the Wind," Bruce Fairley, pages 65 - 68.
Interview
" An Interview with Lizzie Borden " Maureen Judge and Lori Spring, pages 69 - 76.
'80s Science Fiction
" Invaders from Mars and the Science Fiction Film in the Age of Reagan " Barry K. Grant, pages 77 - 83.
" The Terminator: Beyond Classical Hollywood Narrative " Lillian Necakov, pages 84 - 88.
Issue No. 9
Summer, 1987 (Slick two tone cover with thin book stock interior pages)
Theme: Comedy
 "From the Editors," Bryan Bruce and Maureen Judge, pages 1 - 2.
" Pee Wee Herman: The Homosexual Subtext, " Bryan Bruce, pages 3 - 7.
" Rally 'Round the Flag, Boys ; or, Give It Back to the Indians, " Robin Wood, pages 8 - 14.
" Reconsidering The Quiet Man, " Ken Nolley, pages 15 - 19.
" The Falls," Paul Della Penna and Jim Shedden, pages 20 - 24.
" Rosa Von Praunheim in Theory and Practice, " Bryan Bruce, pages 25 - 31.
" Colin Campbell Interview," Kathleen Maitland-Carter, pages 32 - 38.
" The Studio With the Team Spirit: A Look at Ealing Comedies," Marc Glassman and Judy Wolfe, pages 40 - 46.
" Cavell and the Fantasy of Criticism: Shakespearean Comedy and Ball of Fire," Leland Poague, pages 47 - 55.
Neglected Film
" Corrupt/Cop Killer / Order of Death " Gloria Berlin and Bryan Bruce, pages 56 - 61.
Letters
Peter Benson, Paul Downes, Robin Wood, pages 62 - 64.
Issue No. 10
Fall, 1987 (Slick two tone cover with thin book stock interior pages)
Theme: Sex
 " From the Editors, " Kass Banning and Janine Marchessault, page 1.
" Panic Cinema: Sex in the Age of the Hyperreal, " Arthur Kroker and Michael Dorland, pages 2 - 5.
" In Search of it All, " Janine Marchessault, pages 6 - 12.
" Bakhtin, Eroticism, and the Cinema: Strategies for the Critique and Trans-Valuation of Pornogrpahy, " Robert Stam, pages 13 - 20.
" Rethinking the Pink: Miscegenation and Something Wild's Thin Sheen of Race, " Cameron Bailey, pages 21 - 25.
" L'Atalante: The Limits of Liberation, " Robin Wood, pages 26 - 34.
" All That Lovin' Stuff: Sexuality and Sexual Representation in Some Recent Films by Women, " Kay Armatage, pages 35 - 37.
"Whipping It Up: Gay Sex in Film and Video," Bryan Bruce, pages 38 - 44.
" Rock Hudson: His Story," Richard Lippe, pages 46 - 54.
" Pleasure in the Dark: Sexual Difference and Erotic Deviance in the Articulation of a Female Desire, " Dot Tuer, pages 55 - 59.
" Howling at the Machine: A Bed-Time Story, " David McIntosh, pages 60 - 64.
" Hard to Imagine: Gay Erotic Cinema in the Postwar Era, " Tom Waugh, pages 65 - 72.
Issue No. 11
Winter, 1987-88 (Staple bound with two color cover on slick paper with newsprint interior pages)
Themes: Godard, Canada, Nicaragua
 " Politics and Form: Not Necessarily in that Order [editor's note], " Scott Forsyth, page 1.
" Metaphysical Cinema: Two Recent Films by Jean-Luc Godard, " Peter Harcourt, pages 2 - 10.
" Godard on Imagery, " R. Bruce Elder, pages 11 - 19.
" In Other's Eyes: Four Canadian Films Come Home From Cannes, " Geoff Pevere, pages 20 - 29.
" Exquisite Nostalgia: Aesthetic Sensibility in the English-Canadian and Quebec Cinemas, " Deborah Knight, pages 30 - 37.
" Meshes of the Afternoon: Hollywood, the Avant-Garde, and Problems of Interpretation, " Julian Wolfreys, pages 38 - 41.
" Count Me In/Out: Post Apocalyptic Visions in Recent Science Fiction Film, " Peter Fitting, pages 42 - 51.
" The Skull Beneath the Skin: Some Indiscreet Charms of Narativity, " Robin Wood, pages 52 - 56.
" Nicaragua and the New Documentary: The Extraordinary Reality, " Peter Steven, pages 57 - 63.
" Third World Newsreel's 20th Anniversary, " [no author listed], page 65.
" An Interview with Istvan Szabo, " Joan Davies, pages 66 - 72.
Issue No. 12
Spring, 1988 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Teen Films [and Vietnam]
 " Editorial [editor's note], " Anthony Irwin and Susan Morrison, pages 1 - 2.
" Making The Journey with Peter Watkins, " Ken Nolley, pages 3 - 11.
" Identification and Slaughter, " Peter Benson, pages 12 - 18.
" Charlie is a She: Kubrick's Full Metal Jacket and the Female Spectacle of Vietnam, " Krista Walter, pages 19 - 22.
" Standard Hollywood Fare: The World War II Combat Film Revisited, " Peter Rist, pages 23 - 26.
" Getting a Fix on the '60s: Philip Kaufman's The Wanderers Revisited, " Susan Morrison, pages 27 - 31.
" The Edge, " Bryan Bruce, pages 32 - 38.
" Your Life is a Film, " Janine Marchessault, pages 39 - 43.
" Rebel Without a Chance: Cycles of Rebellion and Suppression in Canadian Teen Movies, " Geoff Pevere, pages 44 - 48.
" Patti Rocks the Boat: A Conversation with David Burton Morris and Gwen Field, " Richard Lippe and Robin Wood, pages 49 - 60.
Letters from Carl George, Kembra, Penelope Wehrli, and Jack Waters, pages 61 - 62.
Response to Letters, Bryan Bruce, page 63.
Response to " Godard on Imagery, " Robin Wood, page 64.
Response to " The Skull Beneath the Skin: Some Indiscreet Charms of Narrativity, " Jonathan Rosenbaum, page 64.
Issue No. 13-14 [issue number misidentified on contents page]
Summer, 1988 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Film Noir
 " Policy and Politics [editor's note], " Robin Wood and Richard Lippe, pages 1 - 2.
" The Myth of Postmodernism: The Bourgeois Intelligentsia ni the Age of Reagan, " Andrew Britton, pages 3 - 17.
" Film Noir: How Hollywood Deals with the Deviant Male, " Deborah Thomas, pages 18 - 28.
" Hawks and Film Noir: The Big Sleep, " Michael Walker, pages 29 - 39.
" The (Ideo)logical Consequences of Gender on Genre, " Susan Morrison, pages 40 - 55.
" At the Margins of Film Noir: Preminger's Angel Face, " Richard Lippe, pages 46 - 55.
" Phantom Lady,Cornell Woolrich, and the Masochistic Aesthetic, " Tony Williams, pages 56 - 63.
" The Man's Melodrama: Woman in the Window and Scarlet Street, " Florence Jacobowitz, pages 64 - 73.
" Seeing by Glimpses: Fritz Lang's The Blue Gardenia, " Douglas Pye, pages 74 - 82.
" Rancho Notorious: A Noir Western in Color, " Robin Wood, pages 83 - 93.
" Peckinpah the Radical: The Wild Bunch Reconsidered, " Christopher Sharett, pages 94 - 100.
Letter from Gregg Rickman, pages 101 - 103.
Issue No. 15
Winter, 1988 - 1989 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Interpretation
 " From the Editor [editor's note], " Bryan Bruce, page 1.
" Falling in Love Again: Notes on Film Criticism and Marlene, " Florence Jacobowitz and Richard Lippe, pages 2 - 7.
" The Critic's Choice: Things Great and Things Not So Great, " Janine Marchessault, pages 8 - 12.
" Symmetry, Closure, Disruption: The Ambiguity of Blackmail, " Robin Wood, pages 13 - 25.
" 'Just What the Hell is Rickman Trying to Say?': Some Remarks on Critical Method and Critical Controversy, " Susan Morrison, pages 26 - 28.
" Modern Diseases: Gay Self-Representation in the Age of AIDS, " Bryan Bruce, pages 29 - 38.
" Class Struggle at the Movies?, " Scott Forsyth, pages 39 - 46.
" The Philosophy of the Pigeonhole: Wisconsin Formalism and the "Classical Style", " Andrew Britton, pages 47 - 63.
Issue No. 16
May, 1989 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Canadian Cinema
 " A Note From the Editors [editor's note], " Janine Marchessault and Kass Banning, pages 1 - 2.
" Themes on Canadian Nationalism: In Memoriam, " George P. Grant, pages 3 - 5.
" The Uncertain Trumpet: Defining a (Canadian) Art Cinema in the Sixties, " Peter Morris, pages 6 - 13.
" Rhetorical Remarks Towards the Politics of Otherness, " Kass Banning, pages 14 - 19.
" Dialectice Interpretation: The Case of Cinema Direct and Pierre Perrault, " David Clandfield, pages 20 - 24.
" Mermaids: Singing Off Key?, " Marion Harrison, pages 25 - 30.
" Melancholia and the Banal, " Dennis Bellemare, pages 31 - 39.
" Atom Egoyan: An Interview, " Ron Burnett, pages 40 - 44.
" Scanning Egoyan, " Cameron Bailey, pages 45 - 51.
" Reproduction and Repetition of History: David Rimmer's Found Footage, " Catherine Russell, pages 52 - 58.
" Towards a Canadian (Inter)national Cinema, " Robin Wood, pages 59 - 63 [also see Errata note in next issue].
" Dead Ringers: The Joke's on Us, " Florence Jacobowitz and Richard Lippe, pages 64 - 68.
" Who is the American Cousin? Canadian Cinema, Cultural Freedom, and Sandy Wilson's American Cousin, " Joanne Yamagouchi, pages 70 - 72.
" Underground, " Bryan Bruce, pages 73 - 75.
" Grierson and Canadian Nationalism, " Scott Forsyth, pages 76 - 79.
Issue No. 17
September, 1989 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Re: Positioning
 " Re: Positioning [editor's note], " Susan Morrison and Florence Jacobowitz, pages 1 - 2.
" The Politics of Difference, or: How to Create a Socialist-Feminist Culture in One Capitalist Country Without Really Trying, " Andrew Britton, pages 3 - 15.
Letters: Scott Perna, Janine Marchessault, Gregg Rickman, Susan Morrison, Peter Hrcourt, Robin Wood, pages 16 - 22.
" Towards a Canadian (Inter)national Cinema, Part 2: Loyalties and Life Classes, " Robin Wood, pages 23 - 35.
" Montgomery Clift: A Critical Disturbance, " Richard Lippe, pages 36 - 42.
" Imagining Mr. Average, " John McCullough, pages 43 - 55.
" Moonshine: Love and Enchantment in Annie Hall and Manhattan, " Ed Gallafent, pages 56 - 65.
" Sunrise: A Reappraisal, " Robin Wood, pages 66 - 71.
Errata: for " Towards a Canadian (Inter)national Cinema, " from issue No. 16, Robin Wood, page 72.
Issue No. 18
Fall, 1989 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Imperialism and Film
 " Imperialism Now [editor's note], " Scott Forsyth, pages 1 - 2.
" Immigrants, Aliens, and Extraterrestrials: Science Fiction's Alien 'Other' as (Among Other Things) New Hispanic Imagery, " Charles Ramirez Berg, pages 3 - 17.
" Aping Africa: The Mist of Immaculate Miscegenation, " Diane Sippl, pages 18 - 28.
" Around the World, Across the Frontiers: Sans Soleil as Depays, " Michael Walsh, pages 29 - 36.
" Their Finest Hour: Humphrey Jennings and the British Imperial Myth of World War II, " Andrew Britton, pages 37 - 44.
" Fascism / Cinema, " Robin Wood, pages 45 - 50.
" Black Mic-Mac and Colonial Discourse, " Sheila Petty, pages 51 - 55.
" Black Bamboo, " Trinh T. Minh- Ha, pages 56 - 59.
" The Documentary Impulse and Third Cinema Theory: An Introduction, " Peter Rist, pages 60 - 63.
" Two Books on Third World Film, " Mary Alemany-Galway, pages 64 - 65 [Third World Filmmaking and the West, Film and Politics in the Third World].
Toronto Film Festival Reviews 1989
" Summer of Aviya: A Contemporary Melodrama, " Florence Jacobowitz, pages 66 - 68.
" Monsieur Hire: A Study in Obsession, " Richard Lippe, pages 68 - 69.
" Les matins infidels: Patriarchy and Photography, " Janine Marchessault, pages 69 - 71.
" Five Films at the Festival, " Susan Morrison, pages 71 - 73 [American Stories, Route One, Amore in Corso, Street of No Return, Motel].
" New Films by MacGillivray and Hou, " Robin Wood, pages 73 - 76.
" Working Class Fates, " Scott Forsyth, pages 77 - 80.
Issue No. 19 - 20
Winter - Spring, 1990 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Critical Issues
 " Critical Issues [editor's note], " Richard Lippe and Susan Morrison, pages 1 - 2.
" Critical Realism: Subversive Commercial Art, " Florence Jacobowitz, pages 3 - 10.
" Consuming Culture: The Development of a Theoretical Orthodoxy, " Andrew Britton, pages 11 - 19.
" Right Wing Chic: Adam Parfrey and R. Kern Fingered!!, " Bryan Bruce, pages 20 - 27.
" Holy Men in the Wilderness: The Mission and Sainte-Marie Among the Hurons, " Deborah Root, pages 28 - 32.
" The Last Temptation of Christ: A Fragmented Oedipal Trajectory, " Tony Williams, pages 33 - 42.
" The Celluloid Contradiction: Am Other Look at Parting Glances, " John Champagne, pages 43 - 51.
" Fugitive Details: Readings of Image and Content in Two Films by Max Ophuls, Madam de … and Lola Montes, " Susan Lord, pages 52 - 61.
" Cracks in the King's Armour Stephen King, Stanley Kubrick, and The Shining, " Viveca Gertton, pages 62 - 73.
" Pedagogy in the Perverse Text, " Viveca Gretton, pages 74 - 83.
" Theory vs Experience: Alice Miller and the Status of Contemporary Psychoanalytic Theory, " Robin Wood, pages 84 - 102.
Letter: from Geraldine M. Murphy, page 103.
Issue No. 21 - 22
Summer - Fall, 1990 (Staple bound with two color cover on slick paper with book stock interior pages)
Theme: Rethinking Authorship
 " Rethinking Authorship [editor's note], " Florence Jacobowitz and Richard Lippe, pages 1 - 2.
" Creativity and Evaluation: Two Film Noirs of the 50s, " Robin Wood, pages 4 - 20 [The Big Heat, Kiss Me Deadly].
" Authorship and Cukor: A Reappraisal, " Richard Lippe, pages 21 - 34.
" What Does a Man Know About Mother Love?: Blonde Venus, " Florence Jacobowitz, pages 35 - 45.
" Authorship Revisited, " Robin Wood, pages 46 - 56.
" Film Authorship: The Premature Burial, " V. F. Perkins, pages 57 - 64.
" Terence Davies Interview, " Tony Williams, pages 65 - 69.
" You Could Look it Up: Notes Towards a Reading of Baseball, History, and Ideology in the Dominant Cinema, " Viveca Gretton, pages 70 - 75.
" Genre and Authorship: Two Films of Arthur Penn, " Peter C. Knowles, pages 76 - 83.
" Laugher, Redemption, Subversion in Eight Films by Leo McCarey, " Margaret Smith, pages 84 - 90.
" Fuck Sal's Pizza: Spike Lee's Do the Right Thing as Product of the Hip Hop Movement, " James A. Hurst, pages 91 - 98.
Issue No. 23
Winter, 1990 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Documentary: Theory and Politics
 " Documentary: Theory, Practice and … Watching the Gulf War [editor's note], " Kass Banning and Scott Forsyth, pages 2 - 3.
" A Cinema of Duty: The Films of Jennifer Hodge de Silva, " Cameron Bailey, pages 4 - 12.
" Embodied Knowledge and the Politics of Power, " Bill Nichols, pages 14 - 21.
" Proudly She Marches: Wartime Propaganda an the Lesbian Spectator, " Marilyn Burgess, pages 22 - 28.
" Words of Command: Notes on Cultural and Political Inflections of Direct Cinema in Indian Independent Documentary, " Tom Waugh, pages 28 - 39.
" The Bourgeoisie is Not My Audience: An Interview with John Greyson, " Peter Steven, pages 40 - 45.
" Windows Without Glass: Reflections on the Documentary Genre, " Ron Burnett, pages 46 - 53.
" Documentary and Figuration, " John McCullough, pages 54 - 59.
" Radicalism and Popular Cinema: The Films of Oliver Stone, " Robin Wood, pages 60 - 69.
Toronto Film Festival Reviews 1991
" Writing Feminist Histories: The Burning Times and The Company of Strangers, " Janine Marchessault, pages 70 - 72.
" Bethune: The Making of a Hero, " Kass Banning, pages 73 - 74.
" My Husband Tried to Kill Me … : Reversal of Fortune, " Florence Jacobowitz and Richard Lippe, pages 76 - 78.
" Weininger Nacht [Weininger's Last Night], " Susan Morrison, pages 79 - 80.
Issue No. 24 - 25
Winter, 1991 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Feminist Film Theory-Criticism
 " Feminist Culture and the New Order [editor's note], " Janine Marchessault and Susan Morrison, page 2.
" Letter From an Editor [editor's note], " Florence jacobowitz, page 4.
" Kindler, Gentler CineACTION? [editor's note], " Scott Forsyth, pages 2 - 3.
" Documentary: Theory, Practice and … Watching the Gulf War [editor's note], " Kass Banning and Scott Forsyth, pages 2 - 3.
" The (Female) Subject of Masochism: Forgive Me, Father, For I Have Sinned…, " Susan Morrison, pages 6 - 15.
" Madonna Wannabe, " Sarah Evans, pages 16 - 24.
" Bad Magic: Germaine Dulac's La Souriante Madam Beaudet , " Susan Lord, pages 25 - 29.
" Feminist Avant-Garde Cinema: From Introspection to Retrospection, " Janine Marchessault, pages 30 - 37.
" Dog and Woman, Together at Last: Animals in the Films of Neil Shipman, " Kay Armatage, pages 38 - 44.
" Boys, Girls, and Switch: On the Policing of Sex and Gender, " Ki Namaste, pages 46 - 49.
" Twin Peaks Mountains or Molehills?, " Christine Ramsey, pages 50 - 59.
" In Light of Difference: In Visible Colours Film/Video Festival and Symposium, " Monika Gagnon, pages 60 - 65.
" The Subaltern Body: A Study in Ethics, Alterity, and Subject Construction, " Helen Lee, pages 66 - 74.
" Dorothy's Arzner's Dance Girl, Dance: Regendering the Male Gaze, " Samuel L. Chell, pages 75 - 79.
" Criticism or Complicity?: The Question of the Treatment of Rape and the Rape Victim in Jonathan Kaplan's The Accused, " Mallorie Cook, pages 80 - 85.
" All About Eve, Margo, Karen …, " Robert K. Lightning, pages 86 - 91.
" Women in Film: Teaching Across Disciplines, " Marilyn Burgess, pages 92 - 96.
Issue No. 26 - 27
Winter, 1992 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Melodrama and the Female Star
 " Empowering Glamour, " Florence Jacobowitz and Richard Lippe, pages 2 - 11.
" Greta Garbo, The Star Image: A Corrective Reading, " Richard Lippe, pages 12 - 21.
" Spying on Masculinity: Dishonored, " Florence Jacobowitz, pages 22 - 31.
" A New Servitude: Bette Davis, Now, Voyager, and the Radicalism of the Woman's Film, " Andrew Britton, pages 32 - 59 [see also letters page, next issue, No. 29].
" The 'Noriko' Trilogy: Three Films of Ozu with Setsuko Hara, " Robin Wood, pages 60 - 81.
" Kings Row, " Michael Walker, pages 82 - 93.
" Male Scrutiny, Female Resistance: The Chapman Report, " Richard Lippe, pages 94 - 100.
" Ever in Our Hearts: Barbara Stanwyck, " Robin Wood, pages 102 - 105.
" Understanding Bliss, " Robin Wood, pages 106 - 107.
" The Canadian Feminist Hybrid Documentary, " Kass Banning, pages 108 - 113.
" Regarding Men: Disease and Affliction in Contemporary Male Melodrama, " Viveca Gretton and Tom Orman, pages 114 - 120.
Issue No. 28
Spring, 1992 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Canada: Cinema and Criticism
 " Editorial [editor's note]," Kass Banning, page 2.
Letter: from Brad Stevens, page 3 [on Oliver Stone].
" Women in French-Quebec Cinema: The Space of Socio-Sexual (in)difference, " Chantal Nadeau, pages 4 - 15.
" Sitting in the Dark, " William D. MacGillivray, pages 16 - 19.
" Symptoms of Canada: National Identity and the Theft of National Enjoyment, " Kieran Keohane, pages 20 - 33.
" On the Brink, " Geoff Pevere, pages 34 - 37.
" What the Story Is: An Interview with Srinivas Krishna, " Cameron Bailey, pages 38 - 47.
" The Melodramatic Imagination in Quebec in Canadian Women's Feature Films, " Brenda Longfellow, pages 48 - 57.
" Montréal Confidential: Notes on an Imagined City, " Will Straw, pages 58 - 64.
" Women and Political Documentary in Quebec: An Interview with Sophie Bissonette, " Barbara Evans and Scott Forsyth, pages 66 - 70.
" Cinderella Does Montréal, " Olivia Riochet, pages 71 - 73.
" Bordwell Considered: Cognitivism, Colonialism, and Canadian Cinematic Culture, " Jose Arroyo, pages 74 - 88.
Issue No. 29
Fall, 1992 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Revaluation: Hollywood, Contemporary and Classical
 " Editorial [editor's note], " Robin Wood, page 1.
" For Marlene, " Florence Jacobowitz, pages 2 - 3.
" Not Just a Bandit: Michael Cimino's The Sicilian, " Brad Stevens, pages 4 - 15.
" The Rapture: A Woman's Film of the 90s, " Florence Jacobowitz, pages 16 - 21.
" 'Everything Means Something, Cynthia':Alan Rudolph's Mortal Thoughts, " Tom Orman, pages 22 - 26.
" 'Well … That's a Start': Or, What Hollywood Can Do With a Deeply Serious Comedy, " Cosimo Urbano, pages 26 - 33.
" Spike Lee's Homophobia, " Robert K. Lightning, pages 35 - 39.
" Oliver Stone: Less Than Meets the Eye, " Tony Williams, pages 40 - 55.
" While the City Sleeps, " Michael Walker, pages 56 - 69.
" Talk '39: Re-reading George Cukor's The Women, " Viveca Gretton, pages 70 - 74.
" The Collapse of Fantasy: Masculinity in the Westerns of Anthony Mann, " Douglas Pye, pages 75 - 81.
" 'I'm Not the Sort of Person Men Marry': Monsters, Queers, and Hitchcock's Rebecca, " Rohna J. Berenstein, pages 82 - 96.
" Rebecca Reclaimed: For Daphne du Maurier, " Robin Wood, pages 97 - 100.
" Constructing Culture: Media Education in the 1990s, " Susan Morrison, pages 101 - 103.
Letter: from Andrew Britton, with reply by Robin Wood, page 104 [correcting an error in " A New Servitude: Bette Davis, Now, Voyager, and the Radicalism of the Woman's Film, " issue No. 26 - 27].
Issue No. 30
Winter, 1992 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Framing the Family
 " Introduction [editor's note], " Janine Marchessault and Susan Morrison, pages 2 - 3.
" Battle Stations: War, Memory, and the Family, " Deborah Root, pages 4 - 7.
" Asians in Hollywood, " Kristen Emiko McAllister, pages 8 - 13.
" Myth and Melodrama: Douglas Sirk's Imitation of Life, " Peter C. Knowles, pages 14 - 21.
" Repression, or How to Make Good Home Movies, " Marnie Parrell, pages 22 - 23.
" Ray's Mahanagar: Arati Chooses Integrity Over Security, " Fran Wong, pages 24 - 35.
" Doubling Narratives: Dereliction and Desire in Julie Zando's Let's Play Prisoners, " Jessica Bradley, pages 36 - 41.
" The Body Beautiful, " Brenda Longfellow, pages 43 - 47.
" Pearl, Hilda, Thelma, and Louise: The 'Woman's Film' Revisited, " Susan Morrison, pages 48 - 53.
" Explorations, Prosthetics, and a Sacrifice: Phantasies of the Maternal Body in the Alien Trilogy, " Carol Moore and Geoff Miles, pages 54 - 62.
" Mirror, Mirror on the wall: Parent and Psycho as One in the 90s, " Gillian Helfield, pages 63 - 67.
" Keeping the Black Phallus Erect: Gender ad the Construction of Black masculinity in Boys 'N' the Hood, " Rinaldo Walcott, pages 68 - 74.
Toronto Film Festival Reviews 1992
" Minbo no Onna, " Robin Wood, pages 75 - 76.
" Okoge, " Robin Wood, pages 76 - 78.
" Lesbians and Gays Make the Movies, " Richard Lippe, pages 78 - 82.
" Autumn Moon, " Florence Jacobowitz, pages 82 - 84.
" The Pool, " Tom Orman, pages 84 - 86.
" En-Gendering the Nation: Gerda, 'A Girl's Own Story', " Kass Banning, pages 87 - 88.
Issue No. 31
Spring - Summer, 1993 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Narrative and Film
 " Narrative and Film [editor's note], " Florence Jacobowitz and Richard Lippe, pages 2 - 3.
" Letter from an Unknown Woman: The Double Narrative, " Robin Wood, pages 4 - 17.
" Robert Kramer: Along Route One/USA, " Ruth Perlmuter, pages 18 - 26.
" Homework Times Three, " Robin Wood, pages 28 - 32.
" The Necessity of Telling a Story: An Interview with Jamie Humbeto Hermosillo, " Florence Jacobowitz, Richard Lippe, and Robin Wood, pages 33 - 43.
" Why We Should (Still) Take Hitchcock Seriously, " Robin Wood, pages 44 - 49.
" Tie Me Up! Tie Me Down! : Subverting the Glazed Gaze of American Melodrama and Film Theory, " Martha J. Nandorfy, pages 50 - 61.
" Melodramatic Narrative: Orphans of the Storm and The Searchers, " Michael Walker, pages 74 - 83.
" Male Narrative/Female Narration: Elaine May's Mikey and Nickey, " Brad Stevens, pages 84 - 88.
" The Cat with Green Wings: Feminine Resistance and Narrativity in Radha Bharadwaj's Closet Land, " Viveca Gretton, pages 84 - 88.
Issue No. 32
Fall, 1993 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Rac-ing Home: Race and Cultural Identity
 " This Ain't No favour [editor's note], " Kass Banning and David Fujiwara, pages 1 - 2.
" Jay Scott Obituary, " Kass Banning, pages 5 - 9.
" Confession of a Snow Queen: Notes on the Making of The Attendant , " Isaac Julien, pages 5 - 9.
" From Stereotype to Discourse: Some Methodological Reflections on Racism in the Media, " Robert Stam, pages 10 - 29.
" Between the Borders of Cultural Identity: Atom Egoyan's Calendar, " Ron Burnett, pages 30 - 34.
" Antillean Cinema in the absence of Ruins: The Case of Felix de Rooy, " Reece Auguiste, pages 35 - 42.
" Blood, Vengeance, and the Anxious Liberal: Natives and Non-Natives in Recent Movies, " Deborah Root, pages 43 - 49.
" Dark and Lovely, Too: Black Gay Men in Independent Film, " Kobena Mercer, pages 51 - 62.
" Now You Can See It: The Liberal Aesthetic and racial Representation in The Crying Game, " Darrell Moore, pages 63 - 67.
" Don't Go to Dat Place and Fool Around Like Rich Girls: Black Canadian Women Filmmakers and Video Artists, " Gabrielle Hezekiah, pages 68 - 76.
" Small Pleasures: Large Rewards, " Xiaoping Li, pages 77 - 80.
" Servants and Slaves: Brown Person in Classical Hollywood Cinema, " Robin Wood, pages 81 - 88 [See also letters section, Issue No. 33].
Issue No. 33
February, 1994 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Screening the New World Order
 " Screening the New World Order [editor's note], " Scott Forsyth, page 2.
" Star Trek: The Voyages of Discovery from 1942 to the Space Age, " Yasmin Jiwani, pages 3 - 11.
" Mad Priests and the Mimetic Faculty: Ethnographic Film, Post-Colonialism, and the (New) World Order, " Scott Mackenzie, pages 12 - 22.
" … Evan As Also I Am Known: Vicarious Miscegenation on Post-Colonial Screens, " Diane Sippl, pages 23 - 42.
" Encountering Chinese Modernity in For Fun: An Interview with Ning Ying, " Xiaoping Li, pages 43 - 52.
" Imagining the New Information Order: 'You Will', " Janine Marchessault, pages 53 - 58.
Toronto Film Festival Reviews 1993
" What's Love, Science, and Singing Got to Do With It, " Kass Banning, pages 59 - 62.
" 'TV Movie Syndrome' and Contemporary Film, " Susan Morrison, pages 63 - 64.
" Little Movies/Large Pleasures, " Robin Wood, pages 65 - 66.
" The Accompanist: The Game and the Rules, " Florence Jacobowitz and Richard Lippe, pages 67 - 69.
Letters from Cosmo Vecchiarelli, Rinaldo Walcott, Robin Wood, Kass Banning, and Sourayan Mookerjea, pages 70 - 72 [Controversy surrounding Wood's essay, " Servants and Slaves: Brown Person in Classical Hollywood Cinema, " in Issue No. 32].
Issue No. 34
June, 1994 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Modernism
 " On Modernism [editor's note], " Florence Jacobowitz and Susan Morrison and Richard Lippe, page 1.
" For Andrew Britton: A Personal Tribute, " Robin Wood, page 2.
" For Andrew Britton, 1951 - 1994, " Florence Jacobowitz and Richard Lippe, page 3.
" Rethinking History Through Narrative Art, " Florence Jacobowitz, pages 4 - 19.
" Driven to Distraction: Going to the Movies with Walter and Siegfried, " Paul Kelley and Susan Lord, pages 20 - 25.
" Visions of Light: The Art of Cinematography: An Interview with Arnold Glassman, Todd McCarthy, and Stuart Samuels, " Florence Jacobowitz and Richard Lippe, pages 26 - 40.
" Politics of Modernity in Latin America: Memory, Nostalgia, and Desire in Baroco, " Zuzana M. Pick, pages 41 - 50.
" Postmodern Times: Popular American Cinema and the Critical Climate, " Brad Stevens, pages 52 - 58.
" Persona Revisited, " Robin Wood, pages 59 - 67.
" Suffering Into Ideology: Bergman's Sasom I en Spegel [Through a Glass Darkly] , " Tony French, pages 68 - 72.
Issue No. 35
August, 1994 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Gays and Hollywood: Queer Cinema
 " Policy and Politics [editor's note], " Richard Lippe and Robin Wood, page 1.
" The New Queer Cinema and Gay Culture: Notes From an Outsider, " Robin Wood, pages 2 - 15 [See also letter to the editor in Issue No. 36].
" Totally F***ed Up, but 'Things are Slowly Getting Better': An Interview with Gregg Araki, " Richard Lippe and Robin Wood, pages 16 - 21.
" Discuss The Living End as a Response to the AIDS Crisis. You Have Three Hours: Or, Trying to Understand Love and Hate in an Exam Situation, " Cory Silverberg, pages 22 - 24.
" For Philadelphia, " Richard Lippe, pages 25 - 28.
" 'Met Me in St. Louis': Smith, or the Ambiguities, " Andrew Britton, pages 29 - 42.
" Cukor and Garbo, " Richard Lippe, pages 43 - 60.
" Go East Young Man! John Schlesinger's Midnight Cowboy, " James A. Hurst, pages 61 - 65.
" No Place Like Home: Homelessness, Identity, and Sexuality in American Queer Cinema, " Patrick Crowe, pages 66 - 72.
Issue No. 36
February, 1995 (Perfect bound with two color cover on rough paper with book stock interior pages)
Theme: Reviewing the Toronto International Film Festival 1994
 " Editorial [editor's note], " Kass Banning, pages 1 - 2.
" Letter to the Editor: On the Irresponsibility of a Certain Film Critic: A Note to an 'Outsider', " Robert Cagle, pages 3 - 8 [a response to Robin Wood's " The New Queer Cinema and Gay Culture: Notes From an Outsider, " in Issue No. 35].
" Letter to the Editor; Lang Thompson, with a response by Susan Morrison, page 9.
" The Bandit Queen, " Brenda Longfellow, pages 10 - 16.
" Eclipse, " Peter Harcourt, pages 17 - 19.
" Super 8 ½, " David McIntosh, pages 20 - 23.
" Les Silences Du Palais, " Kay Armatage, pages 24 - 27.
" Narmada: A Valley Rises, " Gabrielle Hezekiah, pages 28 - 30.
" Fresh Kill, " Laura U. Marks, pages 31 - 33.
" Father, Son, and Holy War, " Tom Waugh, pages 34 - 36.
" John Woo, Wong Kar-wai, and Me, " Susan Morrison, pages 37 - 41.
" The Crisis Cinema of John Woo, " Tony Williams, pages 42 - 52.
" Ghosts of Stories: Black Audio Film Collectives Who Needs a Heart?, " Laura U. Marks, pages 53 - 62.
" Guess Who Else is Coming to Dinner: Racial / Sexual Hysteria in Candyman, " Elspeth Kydd, pages 63 - 72.
Issue No. 37
June, 1995 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Movements: History and Filmmaking
 " 10 Years of CineACTION!!???? [editor's note], " Scott Forsyth, page 2.
" The Films of Bob Quinn: Towards an Irish Third Cinema, " Jerry White, pages 2 - 10.
" An Interview with Ali Kazimi, " Marcy Goldberg and Firoza Elavia, pages 11 - 20.
" Hearts of Hate and the Poverty of the Liberal Documentary, " John McCullough, pages 21 - 28.
" A Question of Narrative: Notes on a Radical Horror Parody, " Cosimo Urbano, pages 29 - 37.
" On the Rise: The Work of Ngozi Onwurah, " Julian Stringer, pages 38 - 48.
" The Politics of Cultural Conversion in Colonialist African Cinema, " Femi Okiremuete Shaka, pages 50 - 67.
" On Pluralism, Policy, and Progress: A Response to R. L. Cagle, " Robin Wood, pages 68 - 72.
Issue No. 38
September, 1995 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Murder in America
 " Murder in America [editor's note], " Susan Morrison, pages 2-3.
" Assassinating an Image: The Strange Life of Kennedy's Death, " Haidee Wasson, pages 4 - 11.
" Livin' and Dyin' in Zapruderville: A Code of Representation, Reality and its Exhaustion, " Tom Mullin, pages 12 - 15.
" The Technology of Homicide: Constructions of Evidence and Truth in American Murder Films, " Ken Morrison, pages 16 - 24.
" Carnivalising the Taboo: The Mondo Film and the Opened Body, " Mikita Brottman, pages 25 - 37.
" Serial Killers, True Crime, and Economic Performance Anxiety, " Annalee Newitz, pages 38 - 46.
" Mystery Rider: The Cultural Construction of a Serial Killer, " Philip Simpson, pages 37 - 55.
" The Seen of the Crime: Violence, Anxiety, and the Domestic in Police Reality Programming, " Edward R. O'Neill, pages 56 - 63.
" The 1990s Hollywood Fatal Femme: (Dis)Figuring Feminism, Family, Irony, Violence, " Julianne Pidduck, pages 64 - 72.
Issue No. 39
December, 1995 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Contemporary World Cinema
 " Contemporary World Cinema [editor's note], " Scott Forsyth, page 2.
" Doin' Diaspora, " Warren Crichlow, pages 4 - 8.
" Planet Africa: Three Shorts, " Robert K. Lightning, pages 9 - 11.
" Cuban Films and the Crisis of Socialism: 'Possible Endings', " Scott Forsyth, pages 12 - 18.
" House of Pain, " Laura U. Marks, pages 19 - 37.
" After the Celebration: Soul Survivor and the Discourse of Heritage, " Rinaldo Walcott, pages 22 - 27.
" Crack Vision, Ritual Charm, and Hybrid Culture in John L'Ecuyer'sCurtis's Charm, " David McIntosh, pages 28 - 30.
" The Films of Bela Tarr, " David Thomas Lynch, pages 31 - 35.
" Le Cérémonie: 'The Last Marxist Film' by Claude Chabrol, " Florence Jacobowitz, pages 36 - 43.
" La Haine, Fallen Angels, and Some Thoughts on Scorsese's Children, " Susan Morrison, pages 44 - 50.
" Wim Wender's Lisbon Story, " Jesse Zigelstein, pages 51 - 53.
" In Defence of Jean Seberg, " Richard Lippe, pages 54 - 62.
" Frisk and Doom Generation, " Robin Wood, pages 63 - 65.
" About Desolation Angels, or, Pack Your Bags, We're Going on an Ego Trip, " Mickey Burns, pages 66 - 69.
" Unstrung Families/Unstrung Heroes: A Meditation on Life, Death, Family, and Andie MacDowell's Nail Polish, " Cory Silverberg, pages 70 - 72.
Issue No. 40
May, 1996 (Perfect bound with two color cover on slick paper with book stock interior pages)
Themes: Re-Readings,: Five Films, and Do the Right Thing, a Spike Lee Dossier
 " Editorial [editor's note], " Robin Wood, page 2.
" Has Gone With the Wind Gone With the Wind?, or, Can We Be Intelligent about the Past?, " Tony French, pages 4 - 12.
" Ikiru: The Role of Women in a Male Narrative, " Elen A. Bovkis, pages 13 - 20.
" Persona Psychoanalyzed, " Göran Persson, pages 22 - 31. With a brief forward by Robin Wood on page 21
" Confession as Betrayal: Hitchcock's I Confess as Enigmatic Text, " Deborah Thomas, pages 32 - 37.
" Lola Montes, " Mickey Burns, pages 38 - 43.
" Do The Right Thing: Generic Bases, " Robert K. Lightning, pages 44 - 47.
" By Any Meanings Necessary: Conflict and its Resolution in Do the Right Thing, " Ted Kulczycky, pages 48 - 56.
" Multiculturalism and Spike Lee's Mixed Messages, " Mitchell Shore, pages 57 - 65.
" More Than the Violence: A Reading of Intergenerational Relationships in Do the Right Thing and Jungle Fever, " Cory Silverberg, pages 66 - 72.
Issue No. 41
October, 1996 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Style
 " Editorial [editor's note], " Florence Jacobowitz and Richard Lippe, page 4.
" The Little Space In Between: Preliminary Notes on Before Sunrise, " Robin Wood, pages 4 - 13.
" Style as Attitude: Two Films by Martin Scorsese, " Richard Lippe, pages 14 - 21.
" Rewriting Realism: Bergman and Rossellini in Europe 1949 - 1955, " Florence Jacobowitz, pages 22 - 32.
" Style and Narrative in Bertolucci's The Conformist, " Michael Walker, pages 33 - 42.
" Maintaining the Dual Perspective: Orson Welles and Chimes at Midnight, " Peter E. S. Babiak, pages 43 - 49.
" New Parents and Old: The Horrifying Lyricism of Dancing on Graves, " Diane Sippl, pages 50 - 59.
" Larry Cohen's Bone: Comic Strip as Radical Style, " Tony Williams, pages 60 - 67.
" Book Review: Cinema and Painting: How Art is Used in Film, " Susan Morrison, pages 68 - 71.
Issue No. 42
February, 1997 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Chinese Films [Mainland, Hong Kong, plus Toronto Film Festival]
 " [editor's note], " Susan Morrison and Scott Forsyth, page 1.
" The Films of Ning Ying: China Unfolding in Miniature, " Jerry White, pages 2 - 9.
" Oppositional Politics of Chinese Everyday Practices, " Monica Hulsbus, pages 10 - 14.
" Music and Femininity in Zhang Yimou's Family Melodrama, " Yanmei Wei, pages 15 - 17.
" Allegory and Ambiguity in Zhang Yimou's Shanghai Triad, " Shelly Kraicer, pages 18 - 27.
" Centre-Stage: Reconstructing the Biopic, " Julian Stringer, pages 28 - 39.
" From Hong Kong to Hollywood: John Woo and His Discontents, " Tony Williams, pages 40 - 46.
" East - West Politics, " Patrick Tan, pages 47 - 49.
" Asian American Filmmakers: The Next Generation? Identity, Mimicry, and Transtextuality in Mina Shum's Double Happiness and Quentin Lee and Justin Lin's Shopping for Fangs, " Edward R. O'Neill, pages 50 - 62.
Toronto Film Festival Reviews 1996
" Irma Vepp, " Susan Morrison, pages 63 - 65.
" For Ever Mozart, " David Thomas Lynch, pages 66 - 67.
" Michael Collins, " Scott Forsyth, pages 68 - 69.
" Michelangelo Antonioni: The Later Years, " Florence Jacobowitz and Richard Lippe, pages 70 - 72.
Issue No. 43
July, 1997 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Films of the 90s
 " [editor's note], " Scott Forsyth, page 1.
Photo essays on Arthur Penn and Michelle Pfeiffer, pages 2 - 3.
" The Spectres Emerge in Daylight, " Robin Wood, pages 4 - 13.
" Todd Haynes's Safe: Illness as Metaphor in the 90s, " Florence Jacobowitz and Richard Lippe, pages 14 - 17.
" What's Love Got to Do With It? The Resilience of the Woman's Film, " Robert K. Lightning, pages 18 - 31.
" Lost Highway: Unveiling Cinema's Yellow Brick Road, " Reni Celeste, pages 32 - 39.
Photo essay on four Taiwan films, pages 40 - 41.
" The Virtues of Theft: André T&$233;chiné's Thieves, " Diane Sippl, pages 42 - 49.
" The Magical World of the Ultimate Matriarch, " Elen A. Bovkis, pages 50 - 57.
" Videodrome and the Revenge of Repression, " Marty Roth, pages 58 - 61.
" Against Convention: Form and Narrative in Paul Ledue's Frida, " Peter C. Knowles, pages 62 - 65.
" Plotting the Revolution: Identity and Territory in Memories of
Underdevelopment, " Amy Beer, pages 66 - 72.
Issue No. 45
February, 1998 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Canadian Cinema; Festivals
 " [editor's note], " Scott Forsyth, pages 1 - 2.
" Faces Changing Colour Changing Canon, " Peter Harcourt, pages 2 - 9.
" Highway 61 Revisited, " Chris Byford, pages 10 - 17.
" To Act is to Be: Identity in Recent Quebec Cinema, " Jerry White, pages 18 - 26.
" Howard Hawks: The Grey Fox of Hollywood, " Robin Wood, pages 27 - 29.
" Lesbian Desires: Bound and Invested, " Jean Noble, pages 30 - 39.
Toronto Film Festival Reviews 1997
" Nil By Mouth and Gummo, " Susan Morrison, pages 41 - 45.
" Exile Shanghai, " Florence Jacobowitz, pages 46 - 49.
" Revolutionary Love and Post-Communist Murder: Amor Vertical and A Friend of the Deceased, " Scott Forsyth, pages 50 - 51.
" Gay Movies, West and East: In and Out and Happy Together, " Richard Lippe, pages 52 - 59.
" Wolves Cry Under the Moon, " Robin Wood, pages 60 - 61.
" Visible Cities, Invisible Freedoms: Uncut, City of Dark and Exile in Sarajevo, " Marcy Goldberg, pages 61 - 65.
" A Report on Screens: New Sites for Crosscultural Media [Riot in the Streets, Oz, Girls in Prison, America's Dream, A Day Without a Mexican Nightjohn
], " Diane Sippl, pages 65 - 72.
Riot in the Streets, Oz, Girls in Prison, America's Dream, A Day Without a Mexican Nightjohn
Issue No. 46
June, 1998 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: The Western, Then and Now
 " [editor's note], " Robin Wood, page 1.
" The Western: The Genre that Engenders the Nation, " Garry Watson, pages 2 - 10.
" Bury My Heart at Fort Apache, " Tony French, pages 11 - 17.
" 'One in a Thousand': Western Stars, Heroes, and their Guns, " Brian Fairlamb, pages 18 - 25.
" Man(n) of the West(ern), " Robin Wood, pages 26 - 33.
" A Tribute: Samuel Fuller and the Western, " Richard Lippe, pages 34 - 39.
" From Clementine to Mrs. Miller: In the Name of Progress, " Ivan Yovanovich, pages 40 - 47.
" Heaven's Gate Takes a Swing: Slamming the Capitalist Patrichy, " Mickey Burns, pages 48 - 55.
" Rewriting Revisionism: Clint Eastwood's Unforgiven, " Peter E.S. Babiak, pages 56 - 63.
" We Have Secrets: Borzage, Romance, and the Bourgeois State, " Robert K. Lightning, pages 64 - 72.
Issue No. 47
September, 1998 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Anything But Hollywood
 " [editor's note], " Susan Morrison, page 1.
" Around the world in Eighty Minutes: The Travel Lecture Film, " Jeffrey Ruoff, pages 2 - 11
" If it Moves — We'll Shoot It, " Melinda Stone, pages 12 - 15.
" Project 734: Digital Video and Non-Professional Filmmaking, " Charles Tashiro, pages 16 - 23.
" Flowers in the Dustbin: Termite Culture and Detritus Culture, " Scott Mackenzie, pages 24 - 29.
" Contesting Cinema: A Carmelo Bene Project, " Marc Siegel, pages 30 - 35.
" Pedro Almodovar on The Verge of a Pornographic Space, " Brian K. Aurand, pages 36 - 44.
" A 'Breakthrough' Film? Hal Hartley's Henry Fool, " Sarah Phillips, pages 45 - 47.
" Interview with Edward Yang, " Shelly Kraicer and Lisa Roosen-Runge, pages 48 - 55.
" Nationalism and Commercialism: Chinese Cinema's First Wave of Entertainment Films, " Ying Zhu, pages 56 - 66.
CineACTION! Index issues 1 through 46, pages 67 - 72.
Issue No. 48
December, 1998 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: French New Wave - Contemporary World Cinema
 " French New Wave: 40th Anniversary [editor's note], " Florence Jacobowitz and Richard Lippe, pages 1 - 7.
" Calculated Approximations of Probabilities: Rhetorical Strategies in the Late Films of Jean-Luc Godard, " Peter Harcourt, pages 8 - 17.
" Pre '59 New Wave: Polyphony and Paradigms, " Julien Lapointe, pages 18 - 29.
" Coping with Contempt Godard's Rejected Male and his Hollywood Prototypes, " Brian Fairlamb, pages 30 - 41.
" Cahiers de Rossellini, " Izzy Greenberg, pages 42 - 46.
Contemporary World Cinema: Toronto Film Festival Reviews 1997
" Humble Guests at the Celebration: An Interview with Thomas Vinterbeg and Ulrich Thomsen, " Robin Wood, pages 47 - 54.
" The Hole, " Robin Wood, pages 54 - 57.
" The Apple, " Robin Wood, pages 57 - 60.
" Ron Havilio's Fragments* Jerusalem, " Florence Jacobowitz, pages 60 - 62.
" An Interview with Satoshi Isaka on Detective Rico, " Richard Lippe, pages 63 - 66.
" A Conversation with Olivier Assayas on Fin aout, debut septembre, " Mark Peranson, pages 66 - 72.
Issue No. 49
June, 1999 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: [Class and Nation in Canadian Cinema]
 " In This Issue [editor's note], " Scott Forsyth, page 1.
" John and the Missus: Progress, Resistance, and 'Common Sense', " Malek Khouri, pages 2 - 11.
" The Lace Bay Miners' Museum/Margaret's Museum: Adaptation and Resistance, " Peter Urquhart, pages 12 - 18.
" Rude, or the Elision of Class in Canadian Movies, " John McCullough, pages 19 - 25.
" Alanis Obomsawin, Documentary Form, and the Canadian Nation(s), " Jerry White, pages 26 - 36.
" Everybody Has His Reasons: John Sayles's City of Hope and Lone Star, " Michael Walker, pages 37 - 50.
" Divergent Dialogues: A Question of Subjectivity, " Diane Sippl, pages 51 - 59.
" Third Cinema in the 'First' World: Eve's Bayou and Daughters of the Dust, " April Biccum, pages 60 - 65.
" Julian Henriques's Babymother, " Marcy Goldberg, pages 66 - 67.
" Fantasy, Resistance, and Third Cinema, " Scott Forsyth, pages 68 - 71.
Issue No. 50
September, 1999 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Alfred Hitchcock, George Cukor
 " Hitchcock and Cukor [editor's note], " Robin Wood and Richard Lippe, page 1.
" The Spatial World of Hitchcock's Films: The Point-Of-View Shot, The Camera, and 'Instrarealism', " Susan Smith, pages 2 - 15.
" Travels With My Aunt: Romanticism and Aging, " Richard Lippe, pages 16 - 19.
" The Use of Glass in Alfred Hitchcock's Blackmail, " Stephen Brophy, pages 20 - 23.
" George Cukor's 'Take' on the Literacy Narrative: Hollywood Style, " Scott F. Stoddart, pages 24 - 31.
" A Domestic Trilogy, " Robert K. Lightning, pages 32 - 42.
" 'Your Father's Method of Relaxation': Hitchcock's Shadow of a Doubt, " Tony French, pages 43 - 45.
" Kim Novak: Vertigo, Performance, and Image, " Richard Lippe, pages 46 - 55.
" Vertigo: Authorship as Transformation, " Tony Williams, pages 56 - 59.
" Notes on the Long Take in George Cukor's A Life of Her Own, " Edward R. O'Neill, pages 60 - 69.
" Manufacturing Horror in Hitchcock's Psycho, " Steven Schneider, pages 70 - 75.
" Illusion and Deception in Cukor's Justine, " Randall Clark, pages 76 - 79.
" Looking at The Birds and Marnie Through the Rear Window, " Robin Wood, pages 80 - 85.
" Seeing and Believing: Sid Bernstein's German Atrocities Film and the Question of Hitchcock's Participation, " Florence Jacobowitz, pages 86 - 88.
Issue No. 51
February, 2000 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: What Happened?
 " What Happened? [editor's note], " Susan Morrison, page 1.
" Ride-Films and Films as Rides in the Contemporary Hollywood Cinema of Attractions, " Geoff King, pages 2 - 9.
" Space Invaders: Speculations on the Politics of Postmodern Space in Recent Science Fiction Films, " Jamie Clarke, pages 10 - 16.
" Representing Pre-Millennial Tensions: Hollywood's Gendered Invasion Narratives, " Diane R. Weiner, pages 17 - 22.
" Out of the Depths and Through the Postmodern Surface: History and Class Figuration in Titanic, " David Ashen, pages 23 - 29.
" Raising 'Film Avid': The Happy Teen from Technotown, " Graeme Harper, pages 30 - 35.
" Cinema by Fits and Starts: New Zealand Film Practices in the Twentieth Century, " David Gerstner and Sarah Greenlees, pages 36 - 47.
" Love and Rage: Irish Cinema of the '90s, " Carole Zucker and Kristian Moen, pages 48 - 54.
" How Film Exhibition Has Changed in the Past 50 Years: An Interview with George Mansour, " Stephen Brophy, pages 55 - 59.
Toronto Film Festival Reviews 1999
" Darkness and Light, " Shelly Kraicer, pages 60 - 61.
" One Piece: On Kore-eda, Kitano, and Some Lighter Moments in Recent Japanese Film, " Susan Morrison, pages 61 - 63.
" Clair Denis and Masculinity: Beau Travail, " Richard Lippe, pages 63 - 65.
" Spendour, " Robin Wood, pages 65 - 67.
" L'humanité, " Robin Wood, pages 67 - 68.
" A Humanist Philosophy: Interview(s) with Bruno Dumont, " Mark Peranson and Andrea Picard, pages 69 - 72.
Issue No. 52
Summer, 1988 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Exiles and Emigrés
 " Exiles and Emigrés [editor's note], " Florence Jacoboqitz and Richard Lippe, page 1.
" Douglas Sirk 1900 - 1987, " Florence Jacobowitz and Richard Lippe, pages 2 - 3.
" Lang and Brecht, " Robin Wood, pages 4 - 11.
" Running out of Places: Fritz Lang's Clash By Night, " Douglas Pye, pages 12 - 17.
" Under Capricorn: Hitchcock in Transition, " Florence Jacobowitz, pages 18 - 27.
" I Confess: Photographs of People Talking, " V. F. Perkins, pages 28 - 39.
" Same Tune Again! Repetition and Framing in Letter From an Unknown Woman, " V. F. Perkins, pages 40 - 48.
" Cat People and its 'Two Worlds', " Jason Wilcox, pages 49 - 55.
" On and Around: My Best Friend's Wedding, " Robin Wood, pages 56 - 61.
" 2001 Revisited, " Peter E. S. Babiak, pages 62 - 67.
" The Cinema of the Dispersed Yugoslavias: Diasporas in the Making, " Dina Lordanova, pages 68 - 72.
Issue No. 53
November, 2000 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Horror and Apocalypse
 " Horror and Apocalypse [editor's note], " Scott Forsyth, page 1.
" Tomorrow is My Birthday: Placing Apocalypse in Millennial Cinema, " Diane Sippl, pages 2 - 21.
" Interracial Tensions in the Night of the Living Dead, " Robert K. Lightning, pages 22 - 29.
" Monkey Shines, " Tony Williams, pages 30 - 39.
" Postmodern Cinema and the Death of the Hero, " Tom Pollard, pages 40 - 49.
" Saying It with Flowers, " John Brown, pages 50 - 52.
" Book Review: Apocalypse Movies: End of the World Cinema, " John McCullough, pages 53 - 55.
" Some Arbitrary Forays into the Toronto Film Festival, " Robin Wood, pages 56 - 63.
" Chinese Language Films in the 24th Hong Kong International Gilm Festival, " Shelly Kraicer, pages 64 - 72.
Issue No. 54
January, 2001 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Screwball Lives!
 " In This Issue [editor's note], " Robin Wood, page 1.
" The Same, But Different: The Awful Truth about Marriage, Remarriage, and Screwball Comedy, " Kathrina Giltre, pages 2 - 11.
" Screwball and the Masquerade: The Lady Eve and Two-Faced Woman, " Robin Wood, pages 12 - 19.
Available on Video
" Luis Bunuel: A Tribute, " author, pages 20 - 21.
" Handy-Dandy: Bunuel's Susana, " Tony French, pages 22 - 27.
" Beautiful People, " Robin Wood, pages 28 - 39.
" Eden and Beyond, " Jason Wilcox, pages 40 - 44.
Toronto Film Festival Reviews 2000
" Interview with Fridrik Thor Fridriksson, " Robin Wood, pages 45 - 52.
" Diversity or Dumb Reality: Speculations on Canadian Film and on Sea of Blood by Richard Fung, " Peter Harcourt, pages 52 - 56.
" Above and Beneath: Francois Ozon's Sous le sable, " Richard Lippe, pages 57 - 60.
" Amos Gitai's Kippur, " Florence Jacobowitz, pages 60 - 63.
" Asian Fusion: Some Notes on the Hybridization of the 'Heroic Warrior' Genre, " Susan Morrison, pages 63 - 67.
" Platform, " Shelly Kriacer, pages 67 - 70.
" Juan Carlos Tabio, Cuban Cinema, and The Waiting List, " Scott Forsyth, pages 71 - 72.
Issue No. 55
July, 2001 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Star Image Icon
 " Star Image Icon [editor's note], " Florence Jacobowitz and Richard Lippe, page 1.
" Hawke Ascending, " Robin Wood, pages 2 - 13.
" Frank and Fearless: The Eve Arnold - Joan Crawford Sessions, " Florence Jacobowitz and Richard Lippe, pages 14 - 23.
" Playing Fathers and Monsters: The Classical Appeal of Anthony Hopkins, " Rachael Johnson, pages 24 - 30.
" High Class Whore: Hedy Lamarr's Star Image in Hollywood, " Jan Christopher Horak, pages 31 - 39.
" I Wonder What Becomes of Me? A Note on the Marx Brothers, " Tony French, pages 40 - 49.
" Jim Carrey: The King of Embarrassment, " Tarja Laine, pages 50 - 56.
" The Man in the Pink Shirt: Hugh Grant and the Dilemma of British Masculinity, " Gael Sweeny, pages 57 - 67.
" Joan Fontaine's Heiress: Star in Transition, " Robert K. Lightning, pages 68 - 71.
Letter: " Nationalism and the Zizek Syndrome: More Beautiful People, " from Vladislav Mijic, page 72.
Issue No. 56
September, 2001 (Perfect bound with two color cover on slick paper with book stock interior pages)
Theme: Shifting Narratives
 " Shifting Narratives [editor's note], " Susan Morrison, page 1.
" 'So Where Are You?': Memento, Memory, and the Sincerity of Self-Deception, " Dion Tubrett, pages 2 - 10.
" Flowers of Shanghai, " author, pages 11 - 19.
" DVD: The Shift to Film's New Modernity, " author, pages 20 - 25.
" Narration and Focalization in Wings of Desire, " author, pages 26 - 33.
" Narrative and Spectacle in Gladiator, " Richard Rushton, pages 34 - 43.
" They Kill for Love: Defining the Erotic Thriller as a Film Genre, " Doug Keesey, pages 44 - 53.
" The Lake Effects: A 'Slowly Turning Narrative', " Trish Suchy, pages 54 - 66.
CineACTION! Index issues 1 through 55, pages 67 - 72.
Issue No. 57
March, 2002 (Stitch bound with two color cover on slick paper with book stock interior pages)
Theme: Canadian Film
 " Canadian Films and More [editor's note], " unsigned, page 1.
" Canadian Cinema in the Age of Globalization, " David L. Pike, pages 2 - 10.
" STET, " Mike Cartmell, pages 11 - 15.
" Toward the Quebec Auteur: From Perault to Arcand, " Georege Melnyk, pages 16 - 29.
" The Party's Over: Rollercoaster, " Robin Wood, pages 30 - 34.
" 'In the Sun It All Looks Nice': A Note on Paul Almond's Isabel, " Tony French, pages 35 - 41.
" Persistence of Vision: The Wonderful World of John Paizs, " Robert L. Cagle, pages 42 - 49.
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